Wednesday, January 26, 2022
Perfect Blue (1997):
Perfect Blue (1997):
“A pop singer gives up her career to become an actress, but she slowly goes insane when she starts being stalked by an obsessed fan and what seems to be a ghost of her past.”
Mima is a pop idol who wants to leave her band (Cham) to pursue a career as an actress. But, as soon as she joins the police procedural crime show Double Bind, murders start to occur in the ex-pop idol's name. She discovers a website written by “her” (as Mima from Cham.) that not only lists what she does every day, but also serves as a hit list of writers and producers on Double Bind.
She tries to confront them. Soon, she slowly discovers she's losing her grip on reality, and is unable to recall what she did, and if the murders are real. Where is she? Who are the murderers? Is she the murderer? Is she an actress, or a pop idol? What is reality, and what's on TV?
Satoshi Kon does a great job blurring reality and fantasy. Some of the imagery isn't subtle for a murder mystery. For instance, who is the hired killer? Gee, how 'bout the guy who looks like a hired killer? But, it's a good surrealist horror piece, and much of the mystery still holds up. That said, much of this movie wouldn't make sense today.
Mima doesn't know what a website or a “double-click” is. There are fax machines that call her a traitor. The media landscape has changed so much since 1997, these scenes are almost comedic. Still, Satoshi Kon does a good job putting the horror front and center. There are exploding letters, stabbings, sexual abuse, and even a doppelganger claiming to be “The real Mima”.
It's not to everyone's taste, and is violent, but it's a good look into the work of Satoshi Kon dividing reality and fantasy. If you're in the mood for a surrealist murder mystery, check it out. Just beware, there's a lot of horror, and it's a little dated. Otherwise, I say give it a watch!
Labels:
crime,
crime thriller,
drama,
horror,
Japan,
Japanese,
murder mystery,
mystery,
Perfect Blue,
Perfect Blue movie,
psychological thriller,
Rika Takahashi,
Sadayuki Murai,
Satoshi Kon,
surrealism,
Yoshikazu Takeuchi
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