Drive (2011):

Drive (2011):

“An action drama about a mysterious Hollywood stuntman and mechanic who moonlights as a getaway driver, and finds himself in trouble when he helps out his neighbor.”

Drive is about a stunt driver who secretly works as a getaway driver. However, he wants out, after a job to rob a pawn shop goes south. It threatens a family he cares about, which is the only peace in his life he has. The driving scenes are really calm and highlight the stabs of grotesque violence. It's almost artful in its deliberate mutilation such as headshots, bashed limbs, or heads.

Ryan Gosling does a good job playing a smooth criminal. He never really loses control, especially in the car. The car scenes are oddly peaceful. The most he'll ever be intense is when he's attacking, but other than that, he's collected. The synthwave soundtrack also adds to this serene feel, where you hear nothing but a soothing bassline until the action creeps in.

In the end, it's up to the driver to return his boss's stolen money, and save the people he cares about if he can. There's Shannon, (his stunt driving boss.) his maybe girlfriend Renie, and her son. Meanwhile, the unnamed driver has to fend off a mob boss's goons before he can return the money. If he can even get to him on time.

Speaking of time, if you have time, give this movie a watch. It's entrancing and almost hypnotic to watch. The soundtrack alone makes it a very cool experience. Were it not an action movie, it'd be relaxing. But, the action scenes are very well done too, they are very heavy, and give a sense of relief when the calm bits drag...then, it's full-throttle!

NOBODY (2021):

NOBODY (2021):

“A docile family man slowly reveals his true character after his house gets burgled by two petty thieves, which, coincidentally, leads him into a bloody war with a Russian crime boss.”

Bob Odenkirk vs. the Russian mob! The movie is about Hutch Mansell, an auditor with a few surprises. When his home is invaded by the Russian mob, and his daughter's kitty cat bracelet goes missing, all hell breaks loose as he defends them. Everything is used as a weapon, and the fight scenes are great. One heck of a ride!

One of the understated strengths of this film is Odenkirk's comedic chops, such as when he shouts at the first burglar to “GIVE ME THE KITTY CAT BRACELET...” or when he calmly walks into the Russian mob boss's club, eats dinner, watches the show, and then presents him with a landmine. Odenkirk has the ability to make very heavy action scenes very funny. Otherwise, it might just be a self-aware “John Wick” style movie, which certainly is how it was marketed...so I was surprised it was so funny!

I've talked before about how I hate the cliché of every assassin/fighter being “The Best”. But here, part of the joke is that he's so good, he just wants to be left alone to live a normal life. Early on, people pick on him, you see people don't respect him, but then that first fight scene with the mob on the bus kicks in, and by the end, the mobster is breathing through a straw.

I recommend this movie. It's got a nice action-comedy mix, and Hutch's transformation from auditor to beast is fun to see. It's definitely hyperviolent, but not without some big laughs. I had a blast. There's even a few high-profile cameos. Check it out on Hulu, if you can.

Perfect Blue (1997):

Perfect Blue (1997):

“A pop singer gives up her career to become an actress, but she slowly goes insane when she starts being stalked by an obsessed fan and what seems to be a ghost of her past.”

Mima is a pop idol who wants to leave her band (Cham) to pursue a career as an actress. But, as soon as she joins the police procedural crime show Double Bind, murders start to occur in the ex-pop idol's name. She discovers a website written by “her” (as Mima from Cham.) that not only lists what she does every day, but also serves as a hit list of writers and producers on Double Bind.

She tries to confront them. Soon, she slowly discovers she's losing her grip on reality, and is unable to recall what she did, and if the murders are real. Where is she? Who are the murderers? Is she the murderer? Is she an actress, or a pop idol? What is reality, and what's on TV?

Satoshi Kon does a great job blurring reality and fantasy. Some of the imagery isn't subtle for a murder mystery. For instance, who is the hired killer? Gee, how 'bout the guy who looks like a hired killer? But, it's a good surrealist horror piece, and much of the mystery still holds up. That said, much of this movie wouldn't make sense today.

Mima doesn't know what a website or a “double-click” is. There are fax machines that call her a traitor. The media landscape has changed so much since 1997, these scenes are almost comedic. Still, Satoshi Kon does a good job putting the horror front and center. There are exploding letters, stabbings, sexual abuse, and even a doppelganger claiming to be “The real Mima”.

It's not to everyone's taste, and is violent, but it's a good look into the work of Satoshi Kon dividing reality and fantasy. If you're in the mood for a surrealist murder mystery, check it out. Just beware, there's a lot of horror, and it's a little dated. Otherwise, I say give it a watch!

Robocop 2 (1990):

Robocop 2 (1990):

“RoboCop returns to protect the citizens of old Detroit but faces a deadly challenge when a rogue OCP member secretly creates a new, evil RoboCop 2.”

A new drug called Nuke is in the city, and Robocop has to take out the cult distributing it. The drug dealer turns out to be a kid, and he can't shoot him. When Robocop finally does track down the cult, he's dismembered and out-gunned. This leads to some silly scenes where they re-program Robocop to not be violent (Still not safe for kids!), police bad language, and smoking.

It's a pretty funny Robocop. A good mix of action-comedy. Meanwhile, scientists are creating a new Robocop program: Robocop 2. Unfortunately, the candidates are psychos and murders, not good citizens like Officer Alex Murphy. There's even a lot of debate over if he's company property, or an officer.

This is just good satire and action movie fun. Robocop unites the cops finally, but it's his human side that wins out. He's not just a company machine, and he has free will. It's a pretty fun watch, and ends with a pretty good shootout between Robocop and Robocop 2. Give it a watch, if you have time!

Read my review of Robocop 1 here: https://bit.ly/3A4alSn

Read my review of Robocop 3 here: https://bit.ly/3lULR7c

TERMINAL FORCE A.K.A GALAXIS (1995):

TERMINAL FORCE A.K.A GALAXIS (1995):

“A sacred crystal with god-like powers becomes the spoils in an epic battle between the good, the evil and the incompetent.”

Ok, this is a clear case of there are two different movies here sandwiched together. One is a Terminatoresque scifi plot with a space warrior traveling to Earth to protect a human. (Galaxis). Another is a crime movie based on a dopey adventurer trying to protect his treasure, and he busts some gang lords. Guess which one gets the main focus.

If you guessed the Terminator plot... no. They focus on the dopey (incompetent) adventurer named Jed Sanders. Brigette Nielsen is good in her role as Ladera. She's searching for the “fire crystal” before it falls into the hands of the space wizard Kyla. And protect Jed. She's good in the role, and clearly doing her best stiff Schwarzenegger impression. But, they don't give her enough to do. She doesn't even use her gun that much.

Turns out, the “fire crystal” is actually what Jed calls “The Treasure of the Incas”. They couldn't afford the movie Jed was supposed to be in, so instead we're given the backstory of Jed, by him talking to a guy in a bar. Later, Ladera shows up and beats up the gangsters that now want the treasure. Then, Jed is confronted by Kyla, who bodyswaps with Ladera via illusion and tries to seduce Jed into giving up the treasure.

So, Jed miraculously figures out how to fire Ladera's laser weapon, as the villain is bragging to her about his plan. That's it for the scifi plot. No, really. Kyla's just gone now. The rest of the movie is Jed trying to stop Victor's gangsters; with of course, his buff Amazon space warrior protecting him. One special thing about this movie is that future director Sam Raimi appears as “Nervous Police Officer.”

It's free on Tubi, and there are some interesting ideas in it, but I say skip it. It's just too obviously two short films stuck awkwardly together. They don't give the actors enough time or action to establish their characters. What you're left with is vaguely watchable, but it doesn't have enough crime to be a good crime movie, and abandons its sci-fi plot to focus on another bland character.

RED NOTICE (2021):

RED NOTICE (2021):

"An Interpol agent tracks the world's most wanted art thief."

Red Notice is free on Netflix, so I figured why not? It's a pretty good action-heist flick. There's a police officer John Hartley (Dwayne Johnson), a conman Nolan Booth (Ryan Reynolds) and a thief called The Bishop. (Gal Gadot). Each one is trying to get the golden eggs of Cleopatra. Pretty formulaic structure here though.

John Hartley is trying to catch The Bishop and sets up the action scenes. Gal Gadot comes in and sets up the sexy/heist scenes. She's always one step ahead. Ryan Reynolds is comic relief who makes fun of Dwayne Johnson's character as he's fooled through Russia, Spain, Egypt, and other exotic locales. He really enjoys seeing Agent Hartley in a bind, and makes it harder for him at every turn.

It's not a bad movie, it's just a little formulaic. Ryan Reynolds is in full wise-cracking mode. You want Gal Gadot? Well, you get Gal Gadot: Sweet talk, and krav maga. Dwayne “The Rock” Johnson is as game as ever to bonk some heads, and not afraid to laugh at himself. Plus, there's a few surprises in store. If you can stomach the setups, watch this one...there's a couple big twists. No spoilers!

VIRTUOSITY (1995):

VIRTUOSITY (1995):

“When a virtual reality simulation created using the personalities of multiple serial killers manages to escape into the real world, an ex-cop is tasked with stopping its reign of terror.”

Virtuosity is free on YouTube for now, so I figured, what the heck? Might as well watch it. I'd like to mention a few things for wider cultural context first. I think in scifi (ostensibly what this blog is about, along with cultural issues.) you have more leeway with what can look dated, because it's more about imagination. That said, it's a very good cyberpunk crime thriller.

Denzel Washington plays Parker Barnes, the only cop who's gotten close to taking down Sid 6.7, an amalgam program of the worst killers, meant to train cops. One day, Sid tells his programmer that he wants out. The programmer tricks another researcher into constructing him an android body, and bringing the villain to life.

Now, Parker chases him through pretty much a landscape of 90s media culture. A techno club (where Sid takes hostages.), a store, a UFC ring, and a TV station. During the chase and shootout, we learn that one of Sid's personalities is the terrorist Michael Grimes, who killed his wife and daughter. Using this, Barnes tracks him down to the TV station.

Sid constructs a “Death TV” game show and takes hostages. Barnes realizes since Sid is a VR training program, he only enjoys playing the game with his favorite opponent. So, he accepts his showdown challenge. Meanwhile, a programmer's daughter is being held hostage with a bomb, just like when his wife and daughter were killed.

After Sid and Barnes fight, the policeman takes out Sid's program, and makes him believe he actually won, sticking him back inside VR. He diffuses the bomb. Cops run over Sid's program with a car. One thing I will say is, I like how the programs look. They're like little orbs. Both Russell Crowe and Denzel Washington add an air of drama to the action.

That is to say, I enjoyed the performances by both Denzel Washington and Russell Crowe. Denzel is usually always a good action hero. Russell Crowe is intense and wacky in this early role. Lastly, I think its amazing what they could do with 90s CGI; essentially screensaver graphics. It's cool to imagine a world where VR and digital technology could immediately become physical.

I'd recommend the movie because it explores cool scifi ideas, stars two talented actors, and is free on YouTube. I can see influences of William Gibson and the Neuromancer trilogy in the writing. (I don't think Idoru was written yet, but it dealt heavily with VR. Seriously, check out those books.) In the end, I think it was an awesome crime movie from a time when we didn't yet know what the Internet would become. Check it out.

ROBOCOP (1987):

ROBOCOP (1987):

“In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.”

When officer Alex Murphy gets his limbs blown off by drug dealers, OCP (Omni Consumer Products) rebuilds him in a robotic body. He takes his revenge against the criminals of Delta City a.k.a. Detroit. OCP buys the police force and attempts to persuade the public to let it take over the city. But, something is very wrong about this plan, and Robocop is on the case.

Murphy begins to rediscover his humanity after his righteous rampage, and catchy one-liners. (“Your move, creep.”) He soon discovers the drug dealers might not be all they appear to be, as he accesses more of his OCP directives. His directives are: 1.) Serve The Public Trust, 2.) Protect The Innocent, 3.) Uphold The Law, and a 4th forbidden directive.

Wonderful action, good mystery, and a theme of what it means to be human and use technology. This film is an absolute classic. I'd recommend it to anyone who isn't squeamish. It is ultra-violent. But, I feel like the violence here serves a greater purpose. Definitely give it a watch if you can. It's free on Tubi!

If PG-13 is more your style, check out my post on Robocop 3 here: https://bit.ly/3lULR7c.

FREE FIRE (2016):

FREE FIRE (2016):

“Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.”

When an arms deal goes wrong, the movie turns into a shootout. It doesn't slow down. One of the gang members realizes another gang member beat him up the day before, and that the gangs supplied the wrong weapons. From there, all hell breaks loose, and they start shooting. Chris is one group leader. Ord is the other guy, played by Armie Hammer.

Brie Larson plays Justine, an intermediary between both groups, and Chris's girlfriend. But, she holds her own too in the shootout. The entire movie is a giant shoot out in the warehouse. Everyone has their own team to protect. Nearly each character has a secret backstory or agenda. Who will survive?

Pretty exciting action movie stuff. It has a nicely contained '70s crime plot, plenty of guns, and lots of stylish violence. If you're in the mood for a shoot-em-up with a good runtime, I'd say check it out. Great mystery too. It's free on Netflix.