Friday, June 24, 2022
Tron (1982):
Tron (1982):
“A computer hacker is abducted into the digital world and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program.”
Tron is a very interesting movie. It's about computer programmer, Kevin Flynn, who gets zapped into the computer world while programming his game, Space Paranoids. The Master Control from The Dillinger Corporation has grown tired of assimilating corporate data, and wants to add the data of people and nations to itself. So, it abducts Kevin and puts him inside the game room, which is designed like an old gladiatorial arena where deleted programs usually compete for freedom. Kevin is the first human to be zapped inside the computer.
Inside the computer is a very weird and surreal early 3D environment. The programs all wear neon outfits that are blue or red for good or evil. It almost reminds me a little of German Expressionism, in that abstract shapes and colors convey emotion inside a twisted reality. Once inside, Kevin becomes somewhat of a messiah figure. The programs look at the Users like gods. And the Master Control only wants to add to himself.
It tries to punish Kevin by making him compete in the games, but he goes off grid with his allies Tron, RAM, and Yori. Tron outruns some tanks sent after them. Because Kevin worked on the game, he can pilot some of the vehicles meant for other games too. Tron uploads this data to his disk, which all programs have, which they'll need to defeat the Master Control. They come to a pool where they can replenish their data like water after the chase, but RAM dies, or rather, “de-rezzes”.
Before he disappears, Kevin gains control of a glider called a Recognizer, which he can pilot like an arcade game with a joystick. Kevin brings Tron and Yori to an unfinished part of the game, but since he programmed it, he can get through. Meanwhile, Tron and Yori have to get through the control tower guard who resembles the User DuMont to talk to Kevin and join up with him.
They find the real DuMont being tortured by Master Control in a room full of red, tortured programs. Finally, Tron challenges the head slaver Captain Sark to the disk-throwing game, and slices his brain open. It's actually quite a grizzly scene, even in 80s CGI. Flynn challenges the Master Control and helps Tron, as a program, add all his data disk to Master Control, freeing the system. All the lights turn blue, and the programs are free.
Overall, Tron is pretty great. It's a little goofy in its use of computer terminology, but I like the strange operatic feel it all has. If programs were alive, they'd probably see us as messiahs. And I like the gladiatorial story this opens up to the viewer...even if it is a little cheesy, it does raise good points. Does Machine serve Man, or does Man serve Machine? It's high-concept sci-fi.
And in the end, the Machine (Tron and his friends.) is helping us, the Users. (Kevin Flynn.) Meanwhile, the 3D gives it a sort of mesmerizing dream-like quality, so it's never boring to watch. I'd say if you have time, give it a watch. It's free on Disney+!
Labels:
1980s,
80s,
adventure,
Bonnie MacBird,
Charles S. Haas,
computer games,
David Warner,
Jeff Bridges,
sci-fi,
science fiction,
scifi,
Steven Lisberger,
surrealism,
Tron,
Tron (1982),
Tron movie,
virtual reality
Tuesday, June 14, 2022
Interstella 5555: The 5tory of The 5ecret 5tar 5ystem (2003):
Interstella 5555: The 5tory of The 5ecret 5tar 5ystem (2003):
“A continuation of the story told in the Daft Punk music videos "One More Time," "Aerodynamic," "Digital Love," and "Harder, Better, Faster, Stronger."”
Interstella 5555 tells the story of an alien pop band who is abducted and given new Earth identities. In effect, it is an anime (French/Japanese with Toei and Daft Life Productions) music video for Daft Punk's Discovery album. Each track provides the sounds. But, the anime does give a nice little narrative touch to an already great album.
The band is abducted from the secret star system after their done they're playing “One More Time”. The concert is invaded, they're gassed, given new identities and memories, and start to play for a devious record producer as The CrescenDolls. This is also a track name. Over time, they get tired and lethargic. But then, one of their old alien guards swoops down, takes the band, and tells them about their alien lives. They discover that they are being drained by their record producer Darkwood!
Next, they attempt to break into Darkwood Manor. They learn how he is an ancient evil man who thrives on gold records. After they steal back their memory disks, security attempts to stop them and they knock out the keyboard player, who reverts back to his original blue skin. Shocked, they get him to a hospital. But, the band breaks them out and they escape in a truck, with terminator-like guards following.
Then, they rocket off in a ship, and the Earth says goodbye to the CrescenDolls, who have reverted back to alien names and forms . After that, they broadcast their final song (“Too Long” from the Discovery album.) to Earth from the secret star system. Finally, a boy falling asleep stops listening to the album on a vinyl record player, as if it were all a dream.
Really, I just wanted to review this movie because it is an odd little piece of music history. A Japanese animation for a French pop band's music video. But, it also has aliens, science fiction tropes, music, and anime. All of which are topics that I cover. If you like Daft Punk or just want something neat to check out, give it a watch on YouTube.
Labels:
2003,
aliens,
anime,
Daft Life,
Daft Punk,
France,
French,
Interstella 5555,
Interstella 5555 movie,
Japan,
Japanese,
music,
musical,
musicals,
rock opera,
sci-fi,
science fiction,
scifi,
Thomas Bangalter,
Toei
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