Astro Boy (2009):

Astro Boy (2009):

I finally got around to watching Astro Boy (2009), and you know what? I liked it. Not loved it. Not “This redefined Astro Boy”- kind of liked. But, liked it.

Let’s just get this out of the way. Yeah, the visuals are kind of dated. It’s very 2009 CGI. Shiny metal, slightly rubbery faces, and that weird in-between era where animation hadn’t quite figured out how to stylize humans yet It’s fine. It works. It feels like a Saturday afternoon kids’ movie.

One of my biggest mixed feelings is how they re-imagined the world. In the original anime created by Osamu Tezuka, Astro’s adventures spanned the cosmos. There were robot wars on the Moon. Moral dilemmas across continents. Wild sci-fi ideas that felt boundless.

Here, Metro City is basically a floating city-state, hovering above a trashed Earth. It’s very “Metropolis-lite.” It grounds the story, which makes sense for an American family film, but it also shrinks the scope dramatically. The universe feels smaller. Safer. Contained.

They do sprinkle in nods to older characters and lore, which longtime fans will recognize. But the characterizations? Totally different. And that’s fine. I get that they were probably setting up a new franchise direction. It’s just… this version of Astro Boy, aside from the name and powers, feels barely recognizable.

One thing I genuinely enjoyed was the humor.

Yes, including the now-infamous:

“I have machine guns in… my butt???”

It’s dumb. It’s juvenile. It absolutely got a laugh out of me.

There are also some sweet friendship beats, especially once Astro lands on the surface and ends up with the junkyard kids. It leans heavily into the American “ragtag group of misfits who come together” formula. Predictable? Sure. But it’s warm.

One thing that really stood out to me is how simplified the themes are. Classic Astro Boy wrestles with identity. What does it mean to be human? Can robots have souls? Can they coexist with humanity? His heart, metaphorically and sometimes literally, is tied to something spiritual.

In this movie, it’s Blue Core vs. Red Core. Good vs. Evil. Intention vs. corruption. It’s very literal. Almost like the movie is afraid to wade into anything messier or more philosophical.

Astro’s journey toward humanity gets glossed over. Instead of grappling deeply with what he is, the emotional takeaway becomes: “He’s a good friend.” Which, to be fair, Astro has always been. But he’s also a robot navigating a complicated world. That complexity gets reduced to “outsider kid trying to fit in.”

It works for a children’s movie. It just feels restrained.

The voice cast is kind of stacked, which makes the restraint even more noticeable. Nicolas Cage plays Tenma in a surprisingly subdued performance. Bill Nighy brings dignity and warmth to Dr. Elefun. Donald Sutherland goes full militaristic villain as President Stone. Nathan Lane as Hamegg is easily the most fun performance in the movie... he sounds like he’s having a blast. There’s also Kristen Bell (pre-Frozen) as Cora and Samuel L. Jackson as Zog, the ancient construction bot.

It’s such a tremendous lineup. And yet the script keeps everything so safe. Even during the big climax, a showdown with President Stone who's piloting a giant robot, it never really lets Astro go wild. He fires lasers out of his hand cannons, looks at them, and goes, “Huh. Cool.”

And that’s kind of the vibe of the whole movie.

Huh. Cool.

But not much more.

I don’t hate this version. I actually think it’s a perfectly decent kids’ action movie. Throw in some good snacks, settle in, and you’ll have a good time.

But compared to the 2003 anime series, or especially the original 1960s or 1980s Tezuka vision, it feels cautious. Smaller. A little too afraid to let Astro ask the big questions. A little too determined to translate everything into simple, digestible morality.

Astro Boy has always been a good friend. But he’s also a robot built after Tenma's grief for his dead son. A machine searching for humanity. A hero navigating prejudice and war and loss.

This movie hints at those things, and then backs away.

Still, it’s always good to revisit Astro Boy in any form. And for what it is (A mid-2000s Americanized reboot trying to introduce him to a new generation.) it’s good.

Not cosmic. Not profound.

But good.

The Secret World of Arrietty (2012):

The Secret World of Arrietty (2012):

Let's get this out of the way: Hayao Miyazaki's “The Secret World of Arrietty” is definitely just an adaptation of The Borrowers. But it has enough Miyazaki countryside charm to stand out. It's about a tiny family who lives by stealing things from humans. But one day, a human discovers Arrietty while she's out gathering sugar. Sho (Shawn in the English dub.) is a sick child who has some form of heart condition. I think Arrietty is like an inch tall. It's a cute movie, and not too long.

After discovering her, the sick boy wants to help Arrietty. He brings her sugar, and out his mom's old dollhouse for them to live in. But, it makes things worse for her family...because more humans notice them. Being so small, almost everything is a threat to the Borrowers. I like how it plays with perspective. A needle is a sword to Arrietty. A cat is like a dragon. One drop of tea fills her little teacups.

There are some gross scenes I thought, but that's because the Borrowers (Arrietty, and her parents, Homily and Pod.) are so small. People are giants. Bugs are huge and scary. Crickets, pillbugs, spiders...gross. But, Arrietty can fight them off with a needle. Humans are by far the biggest threat to the Borrowers though. The boy's caregiver Haru (Hara in English.), kidnaps Arrietty's mom, and calls pest control. So the last part is them saving her, and moving out.

Arrietty's parents warned her to stay away from Sho, even though he needs rest, and so won't be much trouble. Pod hurts his leg while out looking for Homily, and discovers a wild Borrower named Spiller who says they can live with him on the other side of the river. So, Arrietty and Sho say a tearful goodbye, as the Borrowers float down to the other side of the river in a teapot.

Overall, it's a cute movie about an unlikely friendship and unintended consequences. It doesn't overstay its welcome, has loads of charm, tons of playful perspective shots, and a good story. Plus, Amy Poehler and Will Arnett voice Arrietty's parents in the English dub. I always liked them. Arrietty is voiced by Bridgit Mendler. Anyway, give it a watch if you can.

The Dandelion Girl: Do You Remember Me? (2019):

The Dandelion Girl: Do You Remember Me? (2019):

“A short visual novel about a middle-aged man on his summer vacation, where he meets a strange girl who claims to be from the future. Adapted from a short story.” - Steam

Well, the title kind of spoils the twist, but let's get into it. This is a kinetic novel (There are no choices, so it's not actually a visual novel.) based on a short story by Robert F. Young in 1966. It's about the adventures of a man named Mark who has decided to take a vacation in Cove City, after working so hard as a lawyer. There he meets a 17 year-old girl Julie Danvers in a field of dandelions. She lets him in on a secret. Her father is a government scientist who built a time machine, and she is actually from 240 years in the future.

At first, Mark plays her off as just being imaginative. But, the more they talk, the more she lets some of her father's time travel theories slip, and Mark starts experiencing odd fits of deja vu. Over the course of his stay in the cabin in Cove City, he begins to appreciate his get-togethers with Julie and talking time travel with her, as well as appreciating her playfulness and his own present moment.

Mark starts to wonder if he could've avoided being drafted in the Vietnam War, and has a violent flashback of shooting an enemy soldier. Julie explains that no, you can't change time, because it's like a book that's already been written. “Whatever happens, happens.” she says. You can only create events that lead to the present. Or at least, that's what her father says.

Julie enjoys looking at clouds and nature and says everything is destroyed by industry in her time. She also mentions that her father is being pursued by the Time Police. Mark and Julie enjoy looking at clouds and Julie says everything is perfect in the 1960s. Mark laughs, and says Julie will say that about other decades too.

Over time, she starts missing get-togethers with Mark and he starts to worry about her. Years later, when Mark is getting married, he experiences the deja vu, and realizes all of Julie's irrational fears about Time Police and her father make sense. I'm not going to spoil it. You can download it on Steam.

So, was it a good read? Yes. I usually prefer visual novels over kinetic novels, but I also like sci-fi. To be fair, this is soft sci-fi, and very short. But, it's still a good story about having experiences and connections with someone that you can't quite explain. It's definitely of its era, as Julie helps Mark heal from the trauma of the Vietnam War, and Julie escapes the destruction of her time. The format of the kinetic novel fits really well with Julie's “Book of Time” theory.

That said, there was one thing I didn't like, and that is the inclusion of onomatopoeic sound effects in the novel. “Ah...” “Kuuuu...” and “Unngh...” that I'm sure are not in the original 1960s “The Dandelion Girl” story. They just point out that you're playing an anime-style game. I found it distracting in what was otherwise a relaxing and philosophical game. The music is gentle and good for reflection, and then you see...”uuungh”. It really breaks the deeper moods.

That's the only thing that really took me out of it. Other than that, it's a good game. Check it out on Steam. It's free. Took me about an hour to read. A good soft sci-fi story. There are no killer robots or action scenes, but if you just want to relax and take a break, it's a good read. Give it a look, if you can.

ROOSTER TEETH THOUGHTS:

ROOSTER TEETH THOUGHTS:

Rooster Teeth, the company that made RWBY, closed recently. I wanted to talk about it. I really only joined Rooster Teeth fandom around 2015. I was certainly aware of Rooster Teeth, because Red vs. Blue premiered in 2003, when I was in high school. But, that was before it had a plot, and it was just kind of friends messing around with HALO assets to make a comedy show. Things changed when Monty Oum was brought in. Monty Oum was a wunderkind animator.

He made things like Dead Fantasy and Haloid (HALO vs. Metroid). What made these shows work was always that they were kinda familiar, fast-paced, and action-packed. Dead Fantasy was Final Fantasy, but not really. Haloid was Metroid vs. HALO, but not really. Along with Monty Oum's focus on fast-paced rhythm-based action (with a background as a dancer.) Monty Oum's style of animation was ultimately a victory of re-branding that re-vitalized Rooster Teeth, and gave it direction.

Now, under Monty Oum, Red vs. Blue became an action show, where it was HALO, but not really. It had a plot and characters, and action scenes. After the success of HALO, but not really, Monty Oum was given the green light to develop RWBY, which was Final Fantasy 8, but not really. The costumes, weapons (Everything is a gunblade.), and plot were straight from the 1999 videogame, but not really.

Parts of media like Kingdom Hearts, fairytales, plus shows like Once Upon A Time and Snow White and The Huntsman can also be seen as influences on RWBY, with a color scheme and elaborate rhythm-based team battles, and attacks. Several fairytales had become public domain in 2012, which made them easy to adapt for the small business. RWBY's popular team-based color schemes allegedly came to Monty in a dream, probably from working on Red vs. Blue too much.

So, I joined right in the middle of all this, by watching RWBY. FF8 was my favorite Final Fantasy, so I picked up the plot immediately. I was all about RWBY for a good while. It was like revisiting one of my favorite games, with a fairytale twist, as was popular at the time. The success of RWBY was unprecedented, spawning a fandom. Unfortunately, Monty Oum fell into a coma in 2015 just before the completion of Season 3. (Seasons of RWBY are called Volumes, like fairytale books.)

Season 3 is widely considered the best Volume of RWBY, as it is a tournament arc featuring many different teams and battles, showcasing the fighting mechanics that made RWBY unique. Additionally, it would open up the world, going beyond locations visited in the previous volumes and introducing the second half of the plot with new villains and character development for Team RWBY. Perhaps most importantly, this meant that Volume 4 would be the first without Monty Oum, as his coma proved fatal.

Volume 4 introduced Salem, the new big bad villainess who was secretly controlling everything. The characters slowly discover that magic is real, and that they do in fact live in a fairytale-type world where they are to act as guardians for sacred relics, before Salem can get to them. This was an okay Volume. It's basically the second half of FF8, but at least it left you wondering what could happen.

Volume 5 splits up each individual member of Team RWBY to give them their own arcs. I understand the reasoning behind this, but I felt like they hadn't developed much as a team first. Yang recovers at home and then tries to find her mother, Ruby joins a new team, Weiss is imprisoned back at her home, and Blake takes a boat trip home to confront her misguided past.

At least they reunite by Volume 6's end. I hung in for all the new characters and villains. The writing on the wall for RWBY came, I think, by Volume 8...when COVID happened. It seemingly changed some direction of the show. Instead of the fast-paced action scenes, I felt like now we have cramped action that takes place in one static location, opting for flashes and bangs in place of dynamic movement, often resolved quickly by Ruby's eye powers or one big move, despite earlier establishing the series' love for gun kata (Kung Fu with guns.), and the characters' skills with their own unique weapons.

Also, earlier the series had made references to the fact that the Kingdom of Atlas was basically Germany. It combined its education and military, and chose a different side in the series' Great War. Even Weiss Schnee from Atlas uses a German name. So, the twist that Ironwood actually wanted to defend Atlas by himself by forsaking dust and the other Kingdoms, didn't shock me at all. If it was supposed to be shocking, it failed, since it was telegraphed all along if you know Final Fantasy and history. Final Fantasy is always setting up Magic vs. Technology.

Since the heroes use dust (magic), it's logical to me that the antithesis of that would be embodied in Ironwood, who favors militarism and technology. But, even this distracts from the main plot, which was supposed to be now defeating Salem. Although, I understand they were trying to create villains for every continent in the show's world, with Ironwood being the villain for Atlas. I was disappointed that they couldn't come together already to defeat Salem.

Time was running out. We were now at Volume 9 (2023), and they took a detour once again to The Ever After, a place where fairytales are real. Yang lost her mechanical arm and Ruby lost her weapon. Weiss keeps insisting there's no way they're in a fairytale. It's pretty much at this point where I watched, but lost my former interest. Magic and fairytales had already been proven real. Ruby had already proved herself as a leader. It was a neat visual detour, but there was no thematic reason to reset characters' motivations, other than that's all the writers knew to do absent the guidance of Monty Oum.

I will say I liked the inclusion of BMLB (A fan-created romance between Team RWBY members Yang and Blake.) being absolutely confirmed in this Volume. But, otherwise, it seemed to retread familiar ground, and reset characters' motivations. The Rooster Teeth merger with Warner Bros forced new projects to be focused on instead of the main show. On top of this, dramatic scandals rocked the once-seemingly benign company, including pay disputes and harassment charges. But, it ultimately survived.

I've already written about RWBY: Ice Queendom, the Japanese anime version of RWBY. In addition, Rooster Teeth focused on cross-over comics and movies with DC's Justice League, which again, while interesting both covered familiar grounds. By this point, if you didn't already like RWBY, you weren't going to watch another origin story and re-introduce the team. They staked everything on the success of RWBY and Batman, but Batman doesn't need RWBY.

You see, what made the show work was always that it was Final Fantasy, but not really. I say that as a fan of RWBY. It was not perfect, but it was the little animation studio that could. If you add Batman to it, or bigger more recognizable entities, in my view, it kills the idea that these characters were home-grown successes. Rooster Teeth had fans who had watched it grow from a small web animation studio, to become something original in spite of being a victory of re-branding Final Fantasy characters with twists. The merger with a giant corporation killed their home-grown success myth.

What will happen to RWBY now that Rooster Teeth is going under? I don't know. Probably, it will just move to a Warner Bros. Company. Maybe Cartoon Network will pick it up, or Crunchyroll. It was a wild ride while it lasted, Rooster Teeth. Everyone involved will probably just come back under a new company. I just hope they can finish RWBY's story, and give it a good ending.

Solo Leveling (2024):

Solo Leveling (2024):

“In a world of gifted hunters and monsters, a weak hunter Sung Jinwoo gains extraordinary powers through a mysterious program, leading him to become one of the strongest hunters and conquering even the strongest dungeons.”

Jinwoo is a 20 year old down-on-his-luck guy who suddenly finds himself in a world where RPG monsters invade Korea through a “gate”. The government learns how to use magic as energy, gold, classes, and skills, just like a game world and hires them as “hunters” to clear monster dungeons. Jinwoo joins a party with a high-ranked leader. Since Jinwoo is weak, he only has a cheap knife to start with.

One day, they end up trapped by giant god statues. But, Jinwoo is the only one who finds out that there is no boss fight. It's a puzzle. That lets him start again in the game world. After his party is defeated at various points in the puzzle, he wakes up again, and slowly learns the rules of the game world, including what gets points and how to get stronger.

Slowly, he begins to build his stats and strength, and learn where the monsters are, as well as their weakness. Now, he can bring up game screens and inventories to enhance his stats and abilities, as well as make weapons appear like swords. No more cheap knives. Jinwoo decides to focus on strength, and has a real-life muscular body as a result of spending his points on strength. However, to avoid attention, he still puts on a front of being very weak, so he can gain “levels” while adventuring solo.

Overall, it's a good mix of real-world and videogame mechanics. The monsters are interesting enough that it keeps me wondering what will happen next. It's hyper-violent, so it never gets boring. There's wolves, goblins, giant ants, snakes, and spiders. It's been fun to see Jinwoo's transformation from weakling to hero thanks to videogame-style Fighter specialization. It gives hope to gamers. (Not that I really am, these days.) Check it out!

Drifting Home (2022):

Drifting Home (2022):

“Follows two childhood friends who drift into a mysterious sea with an entire housing complex.”

Childhood friends check out an old apartment building they grew up in before it's scheduled to be demolished. They soon end up in a magical sea along with the demolished house, drifting on it like a boat with the rest of their sixth grade friends. The two main characters are Kosuke and Natsume, who grew up together with Kosuke's grandpa in the old apartment.

We soon discover there's a stowaway in the floating apartment, Noppo who everyone thought was Natsume's imaginary friend. Yuzuru, a girl, is scared of Noppo and thinks he's a ghost at first. He says they've been friends for a long time. There's more truth to this than meets the eye.

It's not all just about the friends, but also returning home, and the drama between Natsume and Kosuke. Natsume blames himself for his grandpa's death, and so refuses to accept the parting gift from his grandpa, a camera. Meanwhile, it's revealed that Natsume had an abusive childhood, so she had to move into the apartment.

They raid other drifting apartments for snacks, food, and fresh clothes. Eventually, Natsume cuts her knee getting into a vending machine and they have to make get bandages from a floating drugstore. They also collide with an old floating carnival, where Yuzuru first developed her love of theme parks.

Kosuke accepts the camera and starts taking pictures of all the old buildings. Here's where it gets really magical. As it turns out, Kosuke spots “things” growing out of Noppo's arm. Plants! Noppo reveals that he's the ghost of the old apartment, and the magical sea is a graveyard for old buildings. If he doesn't join them, they can never return home.

I enjoyed this movie. It's a magical meditation on memories and the cycle of pain and joy, death and rebirth. (Samsara.) Once they let go of their grief, they experience joy, and return home magically. Kosuke takes pictures. Noppo can finally return home. If you have a chance watch it. It's a great anime drama on Netflix!

Katawa Shoujo: Summer's Clover (2014):

Katawa Shoujo: Summer's Clover (2014):

“The non-canon scenario of Miura Miki starting shortly before she meets the new transfer student Nakai Hisao.”

Summer's Clover is a non-canon side-story to Katawa Shoujo. You play as Miki. Miki is adjusting to life after an accident took her hand. She's a side character in the original game, alongside Emi and the track team. Here, she has two suitors to choose from: Hisao and Suzu.

Hisao is the main character from the original Katawa Shoujo. He bumps into Miki, and in this version, they can hit it off and become boyfriend and girlfriend, or just stay friends. I focused on Suzu's branch, because, well, that's my preference. Even if you choose Suzu, Hisao tags along for the story. He's still a main character.

Suzu has narcolepsy. A condition which brings on extreme drowsiness and loss of muscle tone during sudden extreme emotions. Suzu also likes women, it is revealed. So, that opens up her path as well. Essentially you have Hisao or Suzu as paths to choose from, with multiple endings for either character.

Since I only played Suzu's path, I know it's about Miki discovering her interest in women, and also getting Suzu's family to accept their relationship. Suzu also is an introvert who reads manga. (Comics.) As Miki helps her come out of her shell, they spend a lot of time together on the beach and in bedrooms for summer vacation. (Hey! Summer's Clover!) But, everyone but Suzu's cool older sister hates Miki and Suzu as a couple.

Honestly, this isn't a bad game. Only a few things give away that it's non-canon, but it was worked on by an Australian member of Four Leaf Studios. One thing is the characters constantly use Australian slang like “crikey!” and “blimey!” Another thing is some of the new characters look odd in shape and size, because they aren't re-used art from the original game, which is a little jarring, but fine.

Overall, it's a good side-story, with original art in addition to the original game. But, I can understand why it wasn't a fully polished game. It's one Australian guy from Four Leaf Studios working off notes and anime sketches. With Four Leaf Studios now basically gone, it may never get an official release. This might be all there is. But, it should be enough if you're a Katawa Shoujo fan, and want more Katawa Shoujo. Check it out.

Delicious In Dungeon (2024):

Delicious In Dungeon (2024):

“Can sisters be reincarnated from dragon poop? Laios and his friends Marcille and Chilchuck delve into an endless dungeon in search of his fallen sister, fighting monsters, starvation, and corruption.”

Delicious in Dungeon is a kawaii (cute.) little fantasy/cooking anime about a party of adventurers trying to save their friend from the belly of a dragon while also learning about how to cook monsters. First, there's Laios, the fighter. Then, Marcille, the Elvish wizard girl, and then Chilchuck, the pick-lock. Along the way, they meet a master chef dwarf named Senshi who helps them cook and eat monsters.

Each episode is about what monster they cook and how. First, it's walking mushrooms and scorpions, then man-eating plants, then basilisk, among others. (A basilisk is like a chicken-dragon thing.) Then, they discover they can make BBQ from the oil in some of the fire traps in the dungeon. Yes, they are pretend monsters, but the food still looks good, and it's pretty funny.

A lot of the comedy comes from seeing the characters interact. Marcille is really funny, because she is a picky eater, and wants to use magic to solve everything. She's kind of a take-off on the haughty elf trope. She's always freaking out. She's usually the first to say whatever the dwarf has in mind to cook is disgusting.

The leader of the party is Laios. He's a little weird. He wants to eat everything. He's oddly fixated on monsters, and eating monsters. He's even figured out how to eat living armor by cracking it open like lobster and cooking the creatures inside. Senshi helped. This means he's Senshi's best friend.

Senshi is the dwarf/master chef. He's there to cook all the monsters, and teach real cooking techniques. For example, drying out giant slimes before you eat them to make jelly, or taking the tails and venom from giant scorpions to make a nice hotpot. His dream is to cook a Red Dragon.

Chilchuck is a rogue character. He specializes in picking locks and disarming traps. He's a consummate professional. He doesn't know a lot about cooking, but step aside and let him do his job when you need traps disarmed or locks picked. Not a picky eater, but argues with Senshi if he gets in the way of his job.

Overall, it's a nice and funny anime with good-looking food. It may be fantasy, but it'll still make you hungry. The obsessive characters like Laios are basically there to remind you it's a little weird, but it is comical. It's fun to see what they'll cook up next and how. Can't wait 'til they cook that Red Dragon and save their companion! Give it a watch on Netflix!

The Boy And The Heron (2023):

The Boy And The Heron (2023):

“A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning.”

Well, I might as well explain my experience of another Hayao Miyazaki movie. I've read a lot of articles saying that this will be his last movie, and it feels like a farewell. To be honest, I think he's been saying every movie will be his last movie since about 2013. We'll see if he makes another movie, but I'm not going to write another post dissecting the farewell symbolism.

With that in mind, the message I got from this movie is that birds are evil. All jokes aside, it's a movie about a boy who discovers a heron who leads him to a tower where his mother who died might still be alive but as a young girl. Birds try to eat him. None of this logic is explained. I think we're just supposed to accept that this fantastical adventure takes place because it is a fantasy movie.

The boy (named Mahito.) tames the heron with a bow and arrow. He then reveals himself to be a shapeshifting dwarf spirit. They go to a lighthouse where a woman guards a fire spirit who might be his mother. There, the birds eat spirits of people yet to be born into the world. He finds his mother protecting the lighthouse with fire magic.

A burned crane explains to him that they are trapped on the island of the dead, and the spirits are all they have to eat. Meanwhile, the parakeet king tries to come into the world of the living, and every bird tries to eat Mahito. They meet a wizard who might be his reclusive uncle in the other world, who tells him he must stay or the balance of the world will be destroyed.

Before the parakeet king can break into the other world, he says goodbye to his mother so she can stay behind, and he can return and she can be reborn as his mother again. If it's about anything, it's really about the cycle of death and rebirth through the mind of a child. And yes, I know it's based on a popular Japanese children's book. But, honestly, I think even without that context, it's still a fun watch...overall, I'd say check it out.

Nausicaä Of The Valley of The Wind (1984/2005 English Dub):

Nausicaä Of The Valley of The Wind (1984/2005 English Dub):

“Warrior and pacifist Princess Nausicaä desperately struggles to prevent two warring nations from destroying themselves and their dying planet.”

After the Seven Days of Fire, the world was divided between tribes with an ever-growing threat: The Toxic Jungle. Only one place in the land is safe. A place known as The Valley of The Wind. Princess Nausicaä tries to restore harmony to this apocalyptic world. She discovers that the wind and irrigation in the Valley keeps them safe.

But, others have different ideas of what will bring peace. The Tolmekian Princess Kushana seeks to annihilate the other superpower tribe Pejite with a destructive weapon from the Seven Days of Fire, the Giant Warrior. It's a race against time as Nausicaä teams up with the Pejite Prince Asbel to bring peace.

Nausicaä and Asbel are kidnapped by Kushana, along with her father Lord Yupa. Tolmekia resurrects the Giant Warrior and does battle with the giant bugs (called Oms.) of the Toxic Jungle. Nausicaä, being a pacifist turns them back and is able to demonstrate that her way calms the Oms and in fact can restore nature.

It's a fantastic journey full of wonder, post-apocalyptic tech (Hover-gliders, robots, tanks, gas masks, flash grenades, and guns.), and Miyazaki's trademark environmental themes, and anti-war messages. It's not without violence, but there is also a message of hope and rebirth. A feeling that peace will come even when it seems like evil will win.

This was a bold message for 1984, and it's easy to see that Tolmekia and Pejite are stand-ins for the global superpowers in the Cold War, with the Giant Warrior being not a giant robot, but a nuclear arsenal. Its themes and story still resonate today, with the need to be in harmony with Earth, and with need for something like Nausicaä's pacifism and curiosity.

Today, part of what makes Nausicaä fun to watch for me is the 2005 Disney English voice cast, which includes Uma Thurman, (Kashana) Shia LaBeouf, (Asbel) Mark Hamill (Pejite Mayor), and Patrick Stewart (Lord Yupa). Princess Nausicaä is Alison Lohman. If you have time today, give it a watch! It holds up!

Street Fighter IV: The Ties That Bind (2009)

Street Fighter IV: The Ties That Bind (2009):

“An anime OVA based on the Street Fighter IV videogame.”

OVA means Original Video Animation. In this case, this was an OVA intended solely to promote the then-impending release of Street Fighter IV in 2010. It introduces new characters like Sakura, Juri, Crimson Viper, and Seth. It also introduces the new villain organization S.I.N. Let's get right into it!

Right off the bat, Cammy and her team are investigating a burst of power from South America, eventually calling in Guile and Chun Li. But, their investigation leads them to S.I.N. Chun Li is on to Juri. S.I.N. is who's investigating Ryu's power, the “murderous intent”. (Satsui no Hado.)

Meanwhile, back in the US, Crimson Viper is a CIA agent trying to track down Ryu through Ken Masters. She tracks him down, gets Ryu's location, and fights him in Japan, trying to get him to unleash his full power, just like Seth. Crimson Viper fights Cammy off, and Sakura (The Ryu fangirl.) shows up to cry, and convince Ryu not to turn evil.

Ryu surrenders himself to the CIA, who turns him into S.I.N. He and Seth (And Ken!) fight. It's a pretty straightforward OVA. It basically establishes who's fighting for Good vs. Evil. Plus, it shows that the then-new characters could kick some of the old characters' butts. It's just enough to make you want to play Street Fighter 4. It's only about 64 minutes long. Give it a watch if you're a Street Fighter fan like me.

BlazBlue: Cross Tag Battle (2018):

BlazBlue: Cross Tag Battle (2018):

“BlazBlue: Cross Tag Battle is a 2D crossover fighting game developed and published by Arc System Works, first released for PlayStation 4, Nintendo Switch and Windows in 2018. Cross Tag Battle features characters from different series, including BlazBlue, Persona 4 Arena, Under Night In-Birth and RWBY.”

Well, it's BlazBlue with some extra characters, and tag team mechanics! I liked it. It has some characters I didn't know about like from the Under Night In-Birth series. (But, I get that they are monster-themed characters.) Honestly, it's worth it just for the novelty of seeing characters from Persona 4 like Chie fight Ragna The Bloodedge or Ruby Rose from RWBY.

The attacks and combos are insane, as usual with BlazBlue. Plus each character has a “clash” button, that automatically performs a small tag team combo. I thought that was nice. It sets up some nice juggling. Battles are 2-on-2. You can tag another fighter when one is low on health. Or set up tag attacks! There are some “secret” characters too, like Neo Politan from RWBY, or the Blitztank from Akatsuki Blitzkampf.

Apart from single player 2-on-2 battles, each franchise in the game (BlazBlue, Persona 4, Under Night In-Birth.) has its own story mode (visual novel.) to complete. Or you can complete the full story mode where every franchise is summoned by BlazBlue, and they all have to find magic stones to return to their franchise homeworld...by engaging in 2-on-2 tag team battles, of course.

Some of my favorite characters in this game are Ahkiko from Persona 4 and Yang Xiao Long from RWBY. Both boxing types, and good for quick combos. Plus, anyone can release special attacks when you fill your character's “Cross Burst” Meter. Those are always neat. Overall, I'd say check it out on Steam.

Missing Stars (2023):

Missing Stars (2023):

"After a certain incident that left him traumatized, Erik Wilhelm transfers to Privatgymnasium St. Dymphna, a special Viennese school for teenagers living with psychological disorders, where he meets a colorful cast of characters that will turn his formerly uneventful life upside down."

It feels a bit unfair to review Missing Stars after reviewing Katawa Shoujo, but I'm going to do it anyway. It confuses quantity with quality, but is still heartfelt and inspired by Katawa Shoujo, despite being a complete mess. I think there's something like 6 girls to interact with. But, it feels like a lot more. Act One is very long. (Although, after looking it up, the whole game does have about the same playtime as Katawa...10-30 hours, depending on the paths, reading speed, etc. But, man, does it feel bloated.) It is openly promoted as a “mental health Katawa Shoujo”. It takes place in Austria, and basically tries to copy Katawa's plot, except for mental health instead of physical disabilities. I wish I could say I enjoyed it, but the game is just too big and too unfocused in its message, with every character feeling very disjointed in writing style, disability, and message.

BlazBlue: Continuum Shift (2009):

BlazBlue: Continuum Shift (2009):

“A few days have passed since the reported raid by Ragna the Bloodedge, The 13th Hierarchical City Kagutsuchi forgets to celebrate New Years, as his alleged involvement in the Mysterious Bombing and "Huge Pentacle Sightings" becomes the talk of the town. With the NOL offering no official explanation, the citizens voice their own theories, exaggerating and spreading rumors like wildfire. Completely indifferent to the state of the city, Ragna grips his massive sword and quietly bides his time—waiting for the chance to achieve his true objective, and then, the enormous power that has ensnared Ragna begins to activate...”

A Fighting Game/visual novel. Colorful characters, attacks, and sometimes waifus. One is a squirrel, and there's a couple cats, a couple robots, a vampire, and one character (Arakune) is a bag full of bees. The main character is a spiky-haired edgelord with a big sword who swears sometimes. There's a backstory about Magic Weapons and time travel, but it's not important. The last boss is Michael Jackson with demon powers, basically. Honestly, if it weren't also a fighting game, I'd say it made no sense. It still makes no sense, but at least it's cool to see. Actually, the visual novel aspect is pretty forgettable, for as complex as it wants to be. But, it's still a cool fighting game. I'd recommend it. Check it out.

Highschool Possession (2015):

Highschool Possession (2015):

"Hikaru was just a normal young man with a crush on two girls at school, that is until his whole world changed as he literally had to walk in the shoes of his dream girls... Only to find his school idols were not so perfect after all."

Generally, I think bodyswapping is a dumb premise except in Freaky Friday where it teaches teens responsibility and adults to loosen up. But, I actually enjoyed this game. The main character magically swaps bodies with a girl he likes while he's in a coma. Then, he discovers she's being bullied. He tries to help her. How much you help depends on the ending you get. There are a few scenes where you can discover abuse or explore your body more. I just like that the main character helps his crush. I thought that was nice. Check it out on Steam.

Katawa Shoujo (2012)

Katawa Shoujo is the visual novel which began my love of visual novels. Hisao (The main character.) transfers to a high school for disabled people, Yamaku Academy. There's a blind girl, a burnt girl, a girl with no legs, a deaf girl, and a girl with no arms. The path you take depends on the girl you pick, and each girl has 3 possible endings. As a disabled person, I liked it, and there's a lot of replay value to get every ending.

>

Ninja Scroll (1993):

Ninja Scroll (1993):

Ninja Scroll is about Jubei, a ronin who just wants to be left alone after finding out his old friend Lord Genma, has become the Dark Shogun, leader of the Eight Devils of Kimon. All that changes after a government spy named Dakuwan poisons him with a ninja star, forcing him to go on a quest to defeat the Eight Devils to receive the antidote.

This is just good anime fun. Plenty of gore, sketchy content, and an anti-hero protagonist with a “devil-may-care” loner attitude. This is the anime that showed me what anime was all about. Back when the only other anime I'd caught on TV where Sailor Moon and DBZ, though I knew a little bit about Street Fighter and videogames.

Speaking of videogames, each fight here with a Devil is structured like a videogame boss fight, but there are no incessant power-ups like DBZ or Sailor Moon. Just each Devil with a specific power, and weakness. There's a rock guy, a guy with bees, an exploding lady, a blind samurai, a snake lady, a guy with an electric cord, and Genma among others. He simply has to find a weakness in each, and defeat them.

Along the way, Jubei meets up with Kagero, a Kuga clan ninja girl with poison in her body. She helps Jubei after being attacked by one of the Devils. She has a unique ability to poison whoever she “gives her body” to. So, that's an exciting use of her ability. She also has ninja abilities like magic blossoms she can summon.

Overall, Ninja Scroll is edgy, exciting, and fast-paced. Each fight is well-structured, bloody, and awesome. The visuals are great, and the hero is a smarmy anti-hero who isn't on your typical shonen power-up quest. He just wants peace, nothing phases him. He's a chill guy, which makes the battles more exciting. If you have a chance, check it out. It's a must-watch anime!

Flying Phantom Ship (1969):

Flying Phantom Ship (1969):

“Hayato's peaceful life with his parents and his dog is brought to a dramatic, terrible end when a giant robot, said to be sent from a flying ghost ship, devastates the city, killing hundreds including Hayato's parents.”

It all begins with a fishing trip where Hayato's dad encounters the ghost ship captain in a haunted castle. The captain is actually there to scare his company's boss, who is in the castle, but they don't know that. So, after saving his dad's boss from the castle, a giant golem attacks Tokyo, claiming to be from the captain. Hayato's family dies in the attack, and he finds out they aren't his real parents. So, what began as a playful Scooby Doo mystery takes a hard turn into Japanese monster movie territory. Hayato tells his dog to get lost, and soon discovers that the boss (named Kuroshio.) was behind the golem attack, not the pirate captain, after he reveals his underground lair. Turns out, the attack is a ploy to promote Japanese industry and get everyone addicted to Boa Juice, Hayato's favorite soda pop.

The soda is actually produced by a sea monster Boa, who sends a giant crab monster to Tokyo and turns Kuroshio into soda for failing to disguise the attack. Meanwhile, Hayato joins the ghost ship captain, who is actually a defender of Japan. His ship is actually a robot ship, equipped with lasers and forcefields.

On the ship, Hayato vows to defeat Boa, and give up his favorite soda to defend the people. The pirate captain takes off his skull mask, and reveals himself as Hayato's real father. We're introduced to Tori, his daughter (and Hayato's sister.) who motivates him to find Boa. This movie wears a lot of different hats. On one hand, it's a mystery, then a monster movie, then an adventure.

As it turns into an undersea adventure, we see that Boa is a giant squid. His body is invulnerable to torpedo and laser attacks. Tori discovers by accidentally hitting an EMP pulse button during a crash that Boa is actually a robot, and they can defeat him with electromagnetism. The monster goes haywire, and buries itself after crashing into a cave wall. Hayato is congratulated back home by his new family, and becomes the new ghost ship captain.

So, is this all worth watching? Yes, but only because it's very short: 61 mins. It's exciting, but never really picks a tone. It's exciting, but I wish it were more focused. As it is, it's a good adventure flick. I'd say give it a watch anyway you can. It's worth it just to see all the craziness.

It wears a lot of the trends of 1960s Japan: Monster attacks, robots, environmentalist themes, family switcheroos...but it wears them all like a finely-tailored suit. Trivia: for its anti-capitalist themes this was the first ever Japanese anime shown in Russia (USSR), and the animation on the ship was done by Hayao Miyazaki.

Astro Boy (2004 series DVD set):

Astro Boy (2004 series DVD set):

I finished watching the 2004 DVD set for Astro Boy recently. It was good. Even though it's a reboot, it followed a lot of Osamu Tezuka's original Pinocchio-type themes from the 1960s series. At its heart, it's about a boy with the power to decide what he wants to do, and who his friends are, even if they appear mean at first. To be honest, I got bored around the 4th DVD when the adventures became more villain-of-the-week episodic, but once it returned to the evil father story from discs 1 and 2, then it was action-packed and really focused.

There are humans who hate robots and humans who wanna be robots, and humans who frame robots for crimes, and robot supremacists. But, Astro Boy fights for everyone. A little cheesy, but good cheese. The last disc is really action-packed too. Robots form their own independent nation, and Astro Boy fights to minimize the damage. Not quite like modern anime violent, but it's on par with something like Avatar: The Last Airbender.

For me, it was refreshing to see something from anime say in effect, that the rules of society are important, but we all have free will. Free will is not a common theme in modern anime, in my opinion. That was nice to see on top of Astro Boy's Good vs. Evil story, with Dr. O'Shay being good and Dr. Tenma being evil. Apart from Good vs. Evil, he learns from having friends, fighting villains (Robot or human.) and playing games (Rocketball and visiting the circus.) that being fair is important. Plus, he has cool powers like an arm cannon, rocket boots, finger lasers, and uh, he can...talk to trees? Anyway, give it a watch if you're itching for some good retro-future cheesiness.

RWBY: Ice Queendom (2022)

RWBY: Ice Queendom (2022):

"While Team RWBY studies to become the greatest Huntresses the world of Remnant has ever known, they are faced with a horrifying threat."

Weiss gets possessed by a nightmare Grimm that threatens her dreamworld. After recapping little bits of RWBY Vol.1-2, the story then shifts to Team RWBY trying to save Weiss from this Grimm. It's good to see RWBY finally in anime form, but I don't think it covers enough new ground. It answers the question of why Weiss suddenly gets along with the rest of her team. I like some of the new clothes.

Overall, Ice Queendom is just OK. Basically, Team RWBY was defeated by Nightmare Weiss, and they figured out their dream versions can't defeat her, so they have to figure out what she wants and enter the dream again. They're bringing Team JNPR this time. I don't know how I feel about it. Like, obviously, 90% of animes are about power vs. friendship, and I'll always love the setup of RWBY, but 1.) I kinda feel like I've seen this all before, 2.) even if you're a new RWBY fan, it doesn't work without knowledge of the main series.

I don't feel like they created enough new stuff. And the dream world thing is such a cowardly way to say "We're not sure if this is canon yet." It's literally the "It was all a dream" trope. Good to see the RWBY gang as always, but not enough new. I suppose it's just as well, since RWBY started as a Final Fantasy 8 ripoff...which is fine by me. But, enough was different that the characters became their own. Ice Queendom is stuck somewhere in the middle.

It's ok for what it is, which is a recap of the main series for Japanese audiences without committing to canon. The visuals are pretty good. If you have good snacks, you can enjoy it. But, I can't help but feel I've seen it before. If you haven't, watch it. If you have, you can probably skip it. But, it does add nice little details to the beginning of the main series.