Drifting Home (2022):

Drifting Home (2022):

“Follows two childhood friends who drift into a mysterious sea with an entire housing complex.”

Childhood friends check out an old apartment building they grew up in before it's scheduled to be demolished. They soon end up in a magical sea along with the demolished house, drifting on it like a boat with the rest of their sixth grade friends. The two main characters are Kosuke and Natsume, who grew up together with Kosuke's grandpa in the old apartment.

We soon discover there's a stowaway in the floating apartment, Noppo who everyone thought was Natsume's imaginary friend. Yuzuru, a girl, is scared of Noppo and thinks he's a ghost at first. He says they've been friends for a long time. There's more truth to this than meets the eye.

It's not all just about the friends, but also returning home, and the drama between Natsume and Kosuke. Natsume blames himself for his grandpa's death, and so refuses to accept the parting gift from his grandpa, a camera. Meanwhile, it's revealed that Natsume had an abusive childhood, so she had to move into the apartment.

They raid other drifting apartments for snacks, food, and fresh clothes. Eventually, Natsume cuts her knee getting into a vending machine and they have to make get bandages from a floating drugstore. They also collide with an old floating carnival, where Yuzuru first developed her love of theme parks.

Kosuke accepts the camera and starts taking pictures of all the old buildings. Here's where it gets really magical. As it turns out, Kosuke spots “things” growing out of Noppo's arm. Plants! Noppo reveals that he's the ghost of the old apartment, and the magical sea is a graveyard for old buildings. If he doesn't join them, they can never return home.

I enjoyed this movie. It's a magical meditation on memories and the cycle of pain and joy, death and rebirth. (Samsara.) Once they let go of their grief, they experience joy, and return home magically. Kosuke takes pictures. Noppo can finally return home. If you have a chance watch it. It's a great anime drama on Netflix!

Ninja Scroll (1993):

Ninja Scroll (1993):

Ninja Scroll is about Jubei, a ronin who just wants to be left alone after finding out his old friend Lord Genma, has become the Dark Shogun, leader of the Eight Devils of Kimon. All that changes after a government spy named Dakuwan poisons him with a ninja star, forcing him to go on a quest to defeat the Eight Devils to receive the antidote.

This is just good anime fun. Plenty of gore, sketchy content, and an anti-hero protagonist with a “devil-may-care” loner attitude. This is the anime that showed me what anime was all about. Back when the only other anime I'd caught on TV where Sailor Moon and DBZ, though I knew a little bit about Street Fighter and videogames.

Speaking of videogames, each fight here with a Devil is structured like a videogame boss fight, but there are no incessant power-ups like DBZ or Sailor Moon. Just each Devil with a specific power, and weakness. There's a rock guy, a guy with bees, an exploding lady, a blind samurai, a snake lady, a guy with an electric cord, and Genma among others. He simply has to find a weakness in each, and defeat them.

Along the way, Jubei meets up with Kagero, a Kuga clan ninja girl with poison in her body. She helps Jubei after being attacked by one of the Devils. She has a unique ability to poison whoever she “gives her body” to. So, that's an exciting use of her ability. She also has ninja abilities like magic blossoms she can summon.

Overall, Ninja Scroll is edgy, exciting, and fast-paced. Each fight is well-structured, bloody, and awesome. The visuals are great, and the hero is a smarmy anti-hero who isn't on your typical shonen power-up quest. He just wants peace, nothing phases him. He's a chill guy, which makes the battles more exciting. If you have a chance, check it out. It's a must-watch anime!

La La Land (2016):

La La Land (2016):

“While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future.”

So, La La Land is a musical about two artists wanting to pursue their dreams. Mia is an actress and script writer working on a play and TV treatment. Sebastian is a jazz musician who dreams of opening his own club, and playing free jazz. Instead, they are met with an uncaring L.A. They're stuck in side gigs they don't want. But, in spite of this, the two connect by holding onto their dreams.

When Seb and Mia first meet, they are rude to each other, and resent each other. Each is embarrassed by their ambition, feeling that maybe their time is up. But, when they share their passions with each other, the world becomes full of color and music, and excitement. For example, there's no dialogue in the planetarium scene. The music is telling you how the characters feel.

Seb and Mia eventually decide to meet somewhere in-between. They pursue their dreams even though it might drive them apart. Seb can't stay where he is and be a jazz musician. Mia has to stay in L.A. with her boring business fiancee Greg if she wants to be an actress. In one scene, we see how life might have played out had the characters had a life together in their heads. When you see Greg at the piano in the jazz club (having switched places in their heads with Seb and Mia.), you realize how silly it all would've been.

But, at least the characters got to live their romance together for a little while. La La Land is a movie about dreams, romance, and music. So, the music shows you that world, and those feelings. It's all set against the backdrop of Mia working at a coffee shop or Seb half-heartedly playing Jingle Bells on a piano at a Christmas party. If you have time to experience it, give it a watch on Hulu.

Princess Mononoke (1997):

Princess Mononoke (1997):

“On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.”

Prince Ashitaka has to stop an evil demon plague from taking over the forest, and his arm. Meanwhile, there's a war brewing between animals and humans. Some people want to destroy the forest spirit. (Mononoke means “forest spirit”) Some want to destroy the humans, and some want to destroy the animals, and let technology grow unrestrained.

Ashitaka wants to bring balance between nature and humans. But, he's got all these obstacles in his way. Luckily, he gains an unlikely ally in San, the human princess raised by the Wolf Queen. He has to unite the animals and convince them to make peace, if it's even possible. Also, Lady Iboshi and her gun-wielding ladies of Iron City (Tatara) have hired a mercenary monk and others to kill the forest spirit.

Of all Hayao Miyazaki's films, this is definitely the most violent. There's tons of action, blood, and war. But, I feel it's all balanced out by the beauty of the Ghibli art style, and the ecological message. This is the anime I usually recommend to friends who are just getting into Miyazaki, since it's more like traditional anime, with the over-the-top level of action.

Of course, the real hero here is the art. It's all hand-drawn, the movements are all slow and human (As opposed to fast and exaggerated, as in other anime.) ,and it really lets you take in the awe of the forest, animals, and nature. As well as showing the horror of war, and the destruction technology can cause when unrestrained. The more the forest is off-balance, the more the evil plague grows. If you have time, it's a fantastic film. Definitely worth a watch. Check it out!

Cruella (2021):

Cruella (2021):

“A live-action prequel feature film following a young Cruella de Vil.”

When your villainess is a puppy-skinning madwoman, I say lean into it. But here, she's just a fashionista/thief navigating 1970s London's gala scene. She even has dog companions. This is a pretty good movie, but as a whole it feels really messy, and takes entirely too long to get to the fancy costume battles.

It's a heist movie/comedy/prequel/reboot, but you don't really watch for the plot. You watch for the costumes: the leather outfit, the red dress, the classic Dalmatian get-up, even a garbage truck dress... All very flashy, and eye-catching. I realize they're going for a franchise though. Emma Stone alone could make it work, but just barely.

You see, in this version, it's a revenge plot against her boss who was kinda mean to her in the fashion business. Also, because her boss (The Baroness) is an evil(er?) Disney villainess, she killed her mother. But, I guess in the long run, it only matters that she was kinda mean to Estella (later Cruella.) while she was working her way up the fashion ladder to steal from her.

Acting kinda mean is just how Disney shows class issues. She's poor until she discovers the magical world of fashion. Then, she becomes Cruella, and magically outperforms her mean old boss with the help of friendship, and a boss attitude. It's just that nobody wants to watch mopey Cruella. People wanna see more of her getting justice! I can watch Emma Stone just about anytime, but I really thought the “mean boss” origin was a bit of a reach.

That said, I still do recommend the movie, because I like the 1970s style and soundtrack. I just prefer the old origin story as opposed to the new one that drags on for so long before the action. Watch it with snacks, and enjoy the fancy costumes, though. Then, it's pretty good. If you can stomach the mopey parts. I like the old evil puppy-skinning Cruella, but this one could grow on me, if they make the next movie a little more evil.

Paprika (2006):

"When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it."

This magical tale centers on a revolutionary machine that allows scientists to enter and record a subject’s dream. After being stolen, a detective and brilliant therapist join forces to recover the device — before it falls into the hands of a “dream terrorist”. It really needs to be seen to be believed. There's a beautiful contrast here between dreams and mundane reality. Plus, many secrets the characters have are only expressed in dreams.

As the movie goes on, the dreams become darker and more surreal. People start talking nonsense and killing themselves. And eventually the nightmare visions infect reality. Only Paprika, who appears to be a happy-go-lucky therapist can stop them. Paprika's early scenes have a great sense of limitlessness and flight, in contrast to drab waking life, highlighting the theme of magical realism. Check it out, whenever you can!