Astro Boy (2009):

Astro Boy (2009):

I finally got around to watching Astro Boy (2009), and you know what? I liked it. Not loved it. Not “This redefined Astro Boy”- kind of liked. But, liked it.

Let’s just get this out of the way. Yeah, the visuals are kind of dated. It’s very 2009 CGI. Shiny metal, slightly rubbery faces, and that weird in-between era where animation hadn’t quite figured out how to stylize humans yet It’s fine. It works. It feels like a Saturday afternoon kids’ movie.

One of my biggest mixed feelings is how they re-imagined the world. In the original anime created by Osamu Tezuka, Astro’s adventures spanned the cosmos. There were robot wars on the Moon. Moral dilemmas across continents. Wild sci-fi ideas that felt boundless.

Here, Metro City is basically a floating city-state, hovering above a trashed Earth. It’s very “Metropolis-lite.” It grounds the story, which makes sense for an American family film, but it also shrinks the scope dramatically. The universe feels smaller. Safer. Contained.

They do sprinkle in nods to older characters and lore, which longtime fans will recognize. But the characterizations? Totally different. And that’s fine. I get that they were probably setting up a new franchise direction. It’s just… this version of Astro Boy, aside from the name and powers, feels barely recognizable.

One thing I genuinely enjoyed was the humor.

Yes, including the now-infamous:

“I have machine guns in… my butt???”

It’s dumb. It’s juvenile. It absolutely got a laugh out of me.

There are also some sweet friendship beats, especially once Astro lands on the surface and ends up with the junkyard kids. It leans heavily into the American “ragtag group of misfits who come together” formula. Predictable? Sure. But it’s warm.

One thing that really stood out to me is how simplified the themes are. Classic Astro Boy wrestles with identity. What does it mean to be human? Can robots have souls? Can they coexist with humanity? His heart, metaphorically and sometimes literally, is tied to something spiritual.

In this movie, it’s Blue Core vs. Red Core. Good vs. Evil. Intention vs. corruption. It’s very literal. Almost like the movie is afraid to wade into anything messier or more philosophical.

Astro’s journey toward humanity gets glossed over. Instead of grappling deeply with what he is, the emotional takeaway becomes: “He’s a good friend.” Which, to be fair, Astro has always been. But he’s also a robot navigating a complicated world. That complexity gets reduced to “outsider kid trying to fit in.”

It works for a children’s movie. It just feels restrained.

The voice cast is kind of stacked, which makes the restraint even more noticeable. Nicolas Cage plays Tenma in a surprisingly subdued performance. Bill Nighy brings dignity and warmth to Dr. Elefun. Donald Sutherland goes full militaristic villain as President Stone. Nathan Lane as Hamegg is easily the most fun performance in the movie... he sounds like he’s having a blast. There’s also Kristen Bell (pre-Frozen) as Cora and Samuel L. Jackson as Zog, the ancient construction bot.

It’s such a tremendous lineup. And yet the script keeps everything so safe. Even during the big climax, a showdown with President Stone who's piloting a giant robot, it never really lets Astro go wild. He fires lasers out of his hand cannons, looks at them, and goes, “Huh. Cool.”

And that’s kind of the vibe of the whole movie.

Huh. Cool.

But not much more.

I don’t hate this version. I actually think it’s a perfectly decent kids’ action movie. Throw in some good snacks, settle in, and you’ll have a good time.

But compared to the 2003 anime series, or especially the original 1960s or 1980s Tezuka vision, it feels cautious. Smaller. A little too afraid to let Astro ask the big questions. A little too determined to translate everything into simple, digestible morality.

Astro Boy has always been a good friend. But he’s also a robot built after Tenma's grief for his dead son. A machine searching for humanity. A hero navigating prejudice and war and loss.

This movie hints at those things, and then backs away.

Still, it’s always good to revisit Astro Boy in any form. And for what it is (A mid-2000s Americanized reboot trying to introduce him to a new generation.) it’s good.

Not cosmic. Not profound.

But good.

Solo Leveling (2024):

Solo Leveling (2024):

“In a world of gifted hunters and monsters, a weak hunter Sung Jinwoo gains extraordinary powers through a mysterious program, leading him to become one of the strongest hunters and conquering even the strongest dungeons.”

Jinwoo is a 20 year old down-on-his-luck guy who suddenly finds himself in a world where RPG monsters invade Korea through a “gate”. The government learns how to use magic as energy, gold, classes, and skills, just like a game world and hires them as “hunters” to clear monster dungeons. Jinwoo joins a party with a high-ranked leader. Since Jinwoo is weak, he only has a cheap knife to start with.

One day, they end up trapped by giant god statues. But, Jinwoo is the only one who finds out that there is no boss fight. It's a puzzle. That lets him start again in the game world. After his party is defeated at various points in the puzzle, he wakes up again, and slowly learns the rules of the game world, including what gets points and how to get stronger.

Slowly, he begins to build his stats and strength, and learn where the monsters are, as well as their weakness. Now, he can bring up game screens and inventories to enhance his stats and abilities, as well as make weapons appear like swords. No more cheap knives. Jinwoo decides to focus on strength, and has a real-life muscular body as a result of spending his points on strength. However, to avoid attention, he still puts on a front of being very weak, so he can gain “levels” while adventuring solo.

Overall, it's a good mix of real-world and videogame mechanics. The monsters are interesting enough that it keeps me wondering what will happen next. It's hyper-violent, so it never gets boring. There's wolves, goblins, giant ants, snakes, and spiders. It's been fun to see Jinwoo's transformation from weakling to hero thanks to videogame-style Fighter specialization. It gives hope to gamers. (Not that I really am, these days.) Check it out!

Delicious In Dungeon (2024):

Delicious In Dungeon (2024):

“Can sisters be reincarnated from dragon poop? Laios and his friends Marcille and Chilchuck delve into an endless dungeon in search of his fallen sister, fighting monsters, starvation, and corruption.”

Delicious in Dungeon is a kawaii (cute.) little fantasy/cooking anime about a party of adventurers trying to save their friend from the belly of a dragon while also learning about how to cook monsters. First, there's Laios, the fighter. Then, Marcille, the Elvish wizard girl, and then Chilchuck, the pick-lock. Along the way, they meet a master chef dwarf named Senshi who helps them cook and eat monsters.

Each episode is about what monster they cook and how. First, it's walking mushrooms and scorpions, then man-eating plants, then basilisk, among others. (A basilisk is like a chicken-dragon thing.) Then, they discover they can make BBQ from the oil in some of the fire traps in the dungeon. Yes, they are pretend monsters, but the food still looks good, and it's pretty funny.

A lot of the comedy comes from seeing the characters interact. Marcille is really funny, because she is a picky eater, and wants to use magic to solve everything. She's kind of a take-off on the haughty elf trope. She's always freaking out. She's usually the first to say whatever the dwarf has in mind to cook is disgusting.

The leader of the party is Laios. He's a little weird. He wants to eat everything. He's oddly fixated on monsters, and eating monsters. He's even figured out how to eat living armor by cracking it open like lobster and cooking the creatures inside. Senshi helped. This means he's Senshi's best friend.

Senshi is the dwarf/master chef. He's there to cook all the monsters, and teach real cooking techniques. For example, drying out giant slimes before you eat them to make jelly, or taking the tails and venom from giant scorpions to make a nice hotpot. His dream is to cook a Red Dragon.

Chilchuck is a rogue character. He specializes in picking locks and disarming traps. He's a consummate professional. He doesn't know a lot about cooking, but step aside and let him do his job when you need traps disarmed or locks picked. Not a picky eater, but argues with Senshi if he gets in the way of his job.

Overall, it's a nice and funny anime with good-looking food. It may be fantasy, but it'll still make you hungry. The obsessive characters like Laios are basically there to remind you it's a little weird, but it is comical. It's fun to see what they'll cook up next and how. Can't wait 'til they cook that Red Dragon and save their companion! Give it a watch on Netflix!

Astro Boy (2004 series DVD set):

Astro Boy (2004 series DVD set):

I finished watching the 2004 DVD set for Astro Boy recently. It was good. Even though it's a reboot, it followed a lot of Osamu Tezuka's original Pinocchio-type themes from the 1960s series. At its heart, it's about a boy with the power to decide what he wants to do, and who his friends are, even if they appear mean at first. To be honest, I got bored around the 4th DVD when the adventures became more villain-of-the-week episodic, but once it returned to the evil father story from discs 1 and 2, then it was action-packed and really focused.

There are humans who hate robots and humans who wanna be robots, and humans who frame robots for crimes, and robot supremacists. But, Astro Boy fights for everyone. A little cheesy, but good cheese. The last disc is really action-packed too. Robots form their own independent nation, and Astro Boy fights to minimize the damage. Not quite like modern anime violent, but it's on par with something like Avatar: The Last Airbender.

For me, it was refreshing to see something from anime say in effect, that the rules of society are important, but we all have free will. Free will is not a common theme in modern anime, in my opinion. That was nice to see on top of Astro Boy's Good vs. Evil story, with Dr. O'Shay being good and Dr. Tenma being evil. Apart from Good vs. Evil, he learns from having friends, fighting villains (Robot or human.) and playing games (Rocketball and visiting the circus.) that being fair is important. Plus, he has cool powers like an arm cannon, rocket boots, finger lasers, and uh, he can...talk to trees? Anyway, give it a watch if you're itching for some good retro-future cheesiness.

RWBY: Ice Queendom (2022)

RWBY: Ice Queendom (2022):

"While Team RWBY studies to become the greatest Huntresses the world of Remnant has ever known, they are faced with a horrifying threat."

Weiss gets possessed by a nightmare Grimm that threatens her dreamworld. After recapping little bits of RWBY Vol.1-2, the story then shifts to Team RWBY trying to save Weiss from this Grimm. It's good to see RWBY finally in anime form, but I don't think it covers enough new ground. It answers the question of why Weiss suddenly gets along with the rest of her team. I like some of the new clothes.

Overall, Ice Queendom is just OK. Basically, Team RWBY was defeated by Nightmare Weiss, and they figured out their dream versions can't defeat her, so they have to figure out what she wants and enter the dream again. They're bringing Team JNPR this time. I don't know how I feel about it. Like, obviously, 90% of animes are about power vs. friendship, and I'll always love the setup of RWBY, but 1.) I kinda feel like I've seen this all before, 2.) even if you're a new RWBY fan, it doesn't work without knowledge of the main series.

I don't feel like they created enough new stuff. And the dream world thing is such a cowardly way to say "We're not sure if this is canon yet." It's literally the "It was all a dream" trope. Good to see the RWBY gang as always, but not enough new. I suppose it's just as well, since RWBY started as a Final Fantasy 8 ripoff...which is fine by me. But, enough was different that the characters became their own. Ice Queendom is stuck somewhere in the middle.

It's ok for what it is, which is a recap of the main series for Japanese audiences without committing to canon. The visuals are pretty good. If you have good snacks, you can enjoy it. But, I can't help but feel I've seen it before. If you haven't, watch it. If you have, you can probably skip it. But, it does add nice little details to the beginning of the main series.

ONE PUNCH MAN SEASON 1 (2015):

ONE PUNCH MAN SEASON 1 (2015):

“The story of Saitama, a hero that does it just for fun and can defeat his enemies with a single punch.”

One Punch Man is something I've wanted to talk about for a long time, because it's so good. It's a comedy shonen. Usually, shonen are just about POWER GUYS who want POWER because POWER is good, so they quest to get more POWER. Here, Saitama already has ultimate power and is just doing the hero thing for fun. That's what makes it very fun and relaxing to watch, despite its action-packed shonen backdrop.

Early on in his hero career, he trains so hard he becomes bald. That's his origin. After that, he can knock out enemies with one punch. He even makes some enemies with the heroes from the Hero Association who are jealous of him. These make all the fights in Season 1 hilarious. The villains and other heroes talk a big game, and then it's over in one punch.

But, he doesn't just make enemies. While fighting a giant mosquito lady, Saitama befriends a cyborg Genos, who's training to become a hero. Saitama takes him on as a disciple. Then, One Punch Man takes out the “House of Evolution”, Hammerhead's "Paradiser Gang", and some others like “Speed o' Sound Sonic", who is a ninja. Eventually, Genos convinces Saitama to join the Hero Association, so he can have fans. From there, he passes the physical exam with flying colors while completely forgetting the oral test!

After multiple heroes struggle to take out the “Sea King”, One Punch Man arrives leisurely. After he punches him out, some kids and heroes start to claim that Saitama is a phony, or a job poacher. From there, the anime becomes a weird alien invasion story. Their leader Ouroboros has a heavily armored spaceship, and about 5 “final forms” of armor. Of course, the only thing Saitama really fights is boredom. He just says “Ok.” after Ouroboro's villain monologue. But, he has to break out his “finisher”: Serious Punch!

Even after all that, Saitama finds that most the aliens are good. So, he keeps to his apartment and lets them hang around. The reason I like Season 1 is it tells a pretty chill, self-contained story which is pretty much the opposite of your average self-serious, meandering action shonen. That alone makes it funny. The next seasons are about the arrival of the Hero Hunter villain Garou, and a tournament arc, with the ending teasing the arrival of the Monster Association. These are good, and deliciously self-depreciating, but nothing really compares to that first season.

One Punch Man is always looking for a good fight, but can never find it. Despite this, he's never boasting or talking himself up. He battles boredom, and gets excited for simple things like clearance deals on food. That's pretty much the entire joke. Some people hate that kind of humor, but I loved it. I haven't seen a shonen quite like it. If you've got a chance, definitely watch it. It's one of my favorites, and free on Hulu.

Sword Art Online (2012):

SWORD ART ONLINE (2012):

"In the year 2022, thousands of people get trapped in a new virtual MMORPG and the lone wolf player, Kirito, works to escape."

Sword Art Online is what happens when you let evil people design videogames. You see, on its launch date the players of the virtual MMO Sword Art Online are trapped inside the game with no way to log out, other than beating the game. (As the evil game creator informs them.) Soon after joining a guild however, our hero, Kirito, decides to beat the game solo. But, is that even possible?

But you see, Kirito has one major advantage. He was a beta tester in Sword Art Online, so he knows where to go to get good equipment, and what monsters to defeat. Well, I guess the game maker trapping 6000 players in a battle royale helps cut down on competition, too. But, he quickly rises through the ranks, defeating dungeon monsters, bosses, even participating in duels. He becomes the game’s notorious loner, The Black Swordsman. Half the fun is watching him battle every boss nearly to the death. If his HP drops to 0, he dies in real life as well as in the game.

For me, the fun is seeing the game elements mix with real world elements. For example, some people decide to play it safe and stay in the game. Others form guilds exclusively for getting back to real life and beating the game, and others are just trolls and player-killers. Things get even more interesting though, when he meets Asuna. She is a high-level guild member who keeps dragging him along on quests.

When Kirito meets her, she scolds him for falling asleep, and not beating the game. Well, they start to hang out, and start a relationship. Soon another question arises. Should they stay in the game, where they have happier and healthier lives, or risk it all to get back to the real world? Where are they even, in the real world? Indeed, it seems at first like they’d be happier in the game. What are they going to do? Meet IRL and marry?

Now, it’s a great show (25 episodes) with lots of twists and turns, sometimes out of nowhere. I like how it brings to life virtual reality issues…such as dying, which is usually no problem in a game…and flips them around by adding real world consequences. The line between the game and reality becomes very blurry. It helps build a world in which you’re invested, but also raises the question: Can/Should he give it all up? Now, Sword Art Online IS his life, and his virtual girlfriend is his girlfriend with whom he has a another life. There’s almost no real reason to go back IRL.

All in all, I like Sword Art Online. It raises good questions about escapism (For example, wouldn’t Kirito rather be the famous Black Swordsman, than some random teen?) the nature of god in the game maker, and the nature of society in how people interact with others, build societies, and guilds. The only thing that’s not very realistic is that there’s only one trolling guild, Laughing Coffin. Thank goodness!

But, overall I give Sword Art Online 4/5 stars for developing an engrossing, beautifully-animated world that raises questions about the value of escapism, with great plot twists! Check it out, if you get the chance. Oh, and don’t let evil people with God complexes design videogames. That seems to be the overarching moral. Ha! But, seriously, it’s a great show to watch!