Frosty Kiss (2015):

Frosty Kiss (2015):

“It's been a year since Seymon returned from "Sovyonok" and met the girls from the camp in the real world. But it's New Year at hand! And it needs to be celebrated!”

Well, I reviewed a non-canon sequel to Katawa Shoujo, so I might as well do the same for Everlasting Summer. I can't really recommend it, but here I go. Seymon returns from the magic bus that found him back in the USSR. The same girls are there, except for one. Miku the Japanese girl has been replaced by Masha the Russian. I don't know why. Maybe Miku only existed on the magic bus.

Most of the girls retain their original personalities. Slavya has short hair. Ulyana is still the wild child. I guess that makes her my favorite. This novel involves him starting a romance with one (and only one.) of them. Which one is up to the player. Playtime is reportedly very short. Only about an hour for a full play-through.

Unlike the first game, this non-canon sequel was made by 2Chance Projects, not the aptly named Soviet Games. It's a very short game designed specifically for New Year's 2015. That said, it's okay for what it is, but doesn't bother developing the characters. Frosty Kiss assumes you played Everlasting Summer, plops you in modern Russia, and gets right to the romance...it's very Russian that way.

Speaking of Russian, a final word of warning. When you download this game from Steam, you have to manually set the language from Russian to English, rather than downloading a separate English release, as with Everlasting Summer. I had to re-install it, while searching for an English version, because I thought I downloaded the wrong language version. But, after Googling the problem, I discovered the language settings are in the game's main menu.

Like Katawa's side-story, I can only recommend it if you liked the original game. Except unlike Summer's Clover, Frosty Kiss doesn't add much, and is mostly characters commenting on the last game and the new year. Give it a look, if you're interested. Make sure you play Everlasting Summer first. I can't really recommend it on its own. Otherwise, you'll have no idea what's going on.

Nausicaä Of The Valley of The Wind (1984/2005 English Dub):

Nausicaä Of The Valley of The Wind (1984/2005 English Dub):

“Warrior and pacifist Princess Nausicaä desperately struggles to prevent two warring nations from destroying themselves and their dying planet.”

After the Seven Days of Fire, the world was divided between tribes with an ever-growing threat: The Toxic Jungle. Only one place in the land is safe. A place known as The Valley of The Wind. Princess Nausicaä tries to restore harmony to this apocalyptic world. She discovers that the wind and irrigation in the Valley keeps them safe.

But, others have different ideas of what will bring peace. The Tolmekian Princess Kushana seeks to annihilate the other superpower tribe Pejite with a destructive weapon from the Seven Days of Fire, the Giant Warrior. It's a race against time as Nausicaä teams up with the Pejite Prince Asbel to bring peace.

Nausicaä and Asbel are kidnapped by Kushana, along with her father Lord Yupa. Tolmekia resurrects the Giant Warrior and does battle with the giant bugs (called Oms.) of the Toxic Jungle. Nausicaä, being a pacifist turns them back and is able to demonstrate that her way calms the Oms and in fact can restore nature.

It's a fantastic journey full of wonder, post-apocalyptic tech (Hover-gliders, robots, tanks, gas masks, flash grenades, and guns.), and Miyazaki's trademark environmental themes, and anti-war messages. It's not without violence, but there is also a message of hope and rebirth. A feeling that peace will come even when it seems like evil will win.

This was a bold message for 1984, and it's easy to see that Tolmekia and Pejite are stand-ins for the global superpowers in the Cold War, with the Giant Warrior being not a giant robot, but a nuclear arsenal. Its themes and story still resonate today, with the need to be in harmony with Earth, and with need for something like Nausicaä's pacifism and curiosity.

Today, part of what makes Nausicaä fun to watch for me is the 2005 Disney English voice cast, which includes Uma Thurman, (Kashana) Shia LaBeouf, (Asbel) Mark Hamill (Pejite Mayor), and Patrick Stewart (Lord Yupa). Princess Nausicaä is Alison Lohman. If you have time today, give it a watch! It holds up!

Everlasting Summer (2013):

Everlasting Summer (2013):

“Everlasting Summer is a visual novel that tells the story of a man living in modern Russia who finds himself mysteriously transported to a summer camp somewhere in the Soviet Union.”

A lonely modern Russian kid named Seymon goes to the bus station one day. When he wakes up, he finds himself mysteriously transported to the Soviet Union in a pioneer camp. Think Soviet Scouts! Within the pioneer camp, there's a number of different girls you can pursue, including Alisa, Lena, Ulyana (the party animal.), Miku, (A Japanese girl.) and Slavya. Each girl has 2 endings good and bad. There are also “secret endings” I've heard about where you can discover a nuclear shelter in the camp, or discover evil clones.

There's even an ending where you make a robot cat girl, who will be available to pursue next game. I've never gotten that far. As far as I know, each girl has 2 endings. One where you stay in the USSR and lead a good life. Or one where you find your way back, but something bad happens! (Lena's version has Seymon kill himself.) It's a unique game. Heavy on sci-fi, and alternate realities. I'd say give it a try, if you can stomach the sappy USSR nostalgia! The game was originally released in Russia only in 2006. The 2013 version is the English release.

Flying Phantom Ship (1969):

Flying Phantom Ship (1969):

“Hayato's peaceful life with his parents and his dog is brought to a dramatic, terrible end when a giant robot, said to be sent from a flying ghost ship, devastates the city, killing hundreds including Hayato's parents.”

It all begins with a fishing trip where Hayato's dad encounters the ghost ship captain in a haunted castle. The captain is actually there to scare his company's boss, who is in the castle, but they don't know that. So, after saving his dad's boss from the castle, a giant golem attacks Tokyo, claiming to be from the captain. Hayato's family dies in the attack, and he finds out they aren't his real parents. So, what began as a playful Scooby Doo mystery takes a hard turn into Japanese monster movie territory. Hayato tells his dog to get lost, and soon discovers that the boss (named Kuroshio.) was behind the golem attack, not the pirate captain, after he reveals his underground lair. Turns out, the attack is a ploy to promote Japanese industry and get everyone addicted to Boa Juice, Hayato's favorite soda pop.

The soda is actually produced by a sea monster Boa, who sends a giant crab monster to Tokyo and turns Kuroshio into soda for failing to disguise the attack. Meanwhile, Hayato joins the ghost ship captain, who is actually a defender of Japan. His ship is actually a robot ship, equipped with lasers and forcefields.

On the ship, Hayato vows to defeat Boa, and give up his favorite soda to defend the people. The pirate captain takes off his skull mask, and reveals himself as Hayato's real father. We're introduced to Tori, his daughter (and Hayato's sister.) who motivates him to find Boa. This movie wears a lot of different hats. On one hand, it's a mystery, then a monster movie, then an adventure.

As it turns into an undersea adventure, we see that Boa is a giant squid. His body is invulnerable to torpedo and laser attacks. Tori discovers by accidentally hitting an EMP pulse button during a crash that Boa is actually a robot, and they can defeat him with electromagnetism. The monster goes haywire, and buries itself after crashing into a cave wall. Hayato is congratulated back home by his new family, and becomes the new ghost ship captain.

So, is this all worth watching? Yes, but only because it's very short: 61 mins. It's exciting, but never really picks a tone. It's exciting, but I wish it were more focused. As it is, it's a good adventure flick. I'd say give it a watch anyway you can. It's worth it just to see all the craziness.

It wears a lot of the trends of 1960s Japan: Monster attacks, robots, environmentalist themes, family switcheroos...but it wears them all like a finely-tailored suit. Trivia: for its anti-capitalist themes this was the first ever Japanese anime shown in Russia (USSR), and the animation on the ship was done by Hayao Miyazaki.

Superman IV: The Quest For Peace (1987):

Superman IV: The Quest For Peace (1987):

“The Man of Steel crusades for nuclear disarmament and meets Lex Luthor's latest creation, Nuclear Man.”

Look, you don't need me to tell you it's bad. There's giant plot holes, cheap sets, reused shots, and cartoony action scenes. And yet, in light of current tensions, I thought I'd still enjoy Superman throwing nukes into the sun. I was wrong. Very wrong. It's like they had one good idea...Superman throws nukes into the sun to try to achieve world peace. But, didn't think through the rest of it at all.

Lex Luthor busts out of prison and creates Nuclear Man from Superman's hair and the energy from the nukes thrown into space. Superman meanwhile, is trying to go on a double date as both Clark Kent and Superman. Nuclear Man crashes through buildings and says he'll “hurt people!” and “Destroy Superman!” He also talks like a caveman.

So, Superman does the logical thing, and fights Nuclear Man around the globe. In Italy, and China. He rebuilds the Great Wall with his eyes somehow, and stops a volcano by throwing a mountain into it (Why?), and freezing it with ice breath. Finally, he fights Nuclear Man on the moon, where Nuclear Man is shown to have less power, and still Superman gets pounded into the moon like a Looney Tunes character.

When the sun rises, Superman flies back and drops Nuclear Man into a nuclear containment facility after a short battle. He reasons that the sun must be the source of enemy's power. (Did he forget it's his too? Did he forget he has ice breath?) Meanwhile, in a goofy subplot, the Daily Planet almost turns into a tabloid that says Superman is dead. But, then is just bought by Perry White again, without Superman at all.

None of this makes sense. There are too many inconsistencies and plot holes. Superman is shown at one point to have radiation poisoning from Nuclear Man. That was kind of interesting. But, then how was he cured? I thought at least the fights might be cool, but instead it's Looney Tunes style bonks, and slap fights in space. I think the most Nuclear Man does is bonk Superman.

I like Christopher Reeve as Superman. He's a hopeful incarnation of the character I think we need back, in terms of style and body language. But, not like this. Not as a big goof flying around back and forth in re-used footage. I think they had one good idea. Superman trying to help the world. The rest is just idiotic. Do I need to say it? Skip this one.

SUPERMAN: RED SON (2020):

SUPERMAN: RED SON (2020):

“What if baby Kal-El's rocket landed, not in Kansas, but in the Soviet Union? That is the premise of this Elseworld's tale from DC Comics.”

There's a lot going on here. This is an alternate world based on the 2003 comic by Mark Millar where Superman was raised in the USSR. He kills Stalin after he finds out about the gulags. He beats back capitalist Bizzaro created by the US with Lex Luthor. He defeats the Green Lanterns as they are recruited in the Cold War, and single-handedly wins the Korean War for the Communists.

So, in this world, Kal-El is still the same person. He still cares about helping people, only he believes the Soviet system is the way to do so. Even with his vast power, and big heart, he finds that he can't control people the way he'd like to in the name of equality. He fights Batman over this. In this version, Batman survives the gulag.

To add to the list of heroes making a cameo, he courts Wonder Woman on a diplomacy mission. Eventually, she withdraws when she finds out that with the help of Brainiac, he's been turning people into robots to make them more agreeable. Superman discovers that the villain soon can't be trusted. This leads to a showdown between Brainiac and US President Lex Luthor.

All-in-all, this is a fantastic showcase for a DC what-if scenario. The comic is a bit more detailed, but I highly recommend this one for a watch, however you can. It really shows the ability of comics and animation to transport us to other worlds. Plus, I like Jason Isaac's faux Russian accent. In Soviet Russia, Superman cartoon watches you!



READ MY SUPERMAN:RED SON COMIC REVIEW HERE: https://bit.ly/2XmZ4xg

Robot Jox (1989):

Robot Jox (1989):

"In the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions."

Mech combat movie with weird models and special effects! Space battles! Representing the US ("The Market") is Achilles. Against him his rival Alexander from "The Confederation" (USSR) in a spider tank. Winner takes Alaska, and its natural resources! It's cheesy robot goodness.

CAPTAIN AMERICA: THE WINTER SOLDIER (2014) REVIEW:

           

“Trust is what makes an army work. Not a bunch of guys running around shooting guns.”

- Captain America

Oh, that Captain America! So honorable. So gee-golly good! So trusting! 70 years frozen in an ice cube and does it even phase him? Nope. Just takes getting used to, he says. I mean, sure he’s got a long list of music and movies to watch, but that’s what the internet is a for. (Right?) And for buddies, he’s got his own little army in The Avengers! Ol’ Cap just never stopped fighting the Good Fight.

But, now his faith in The Good Fight is a little shaken up after he finds out his buddy Nick Fury’s been keeping secrets from him. What’s a supersoldier to do?  Why, keep fighting The Good Fight of course, and find out the truth behind SHIELD‘s secrets, even while being framed for them! There’s a lot more action in this one, and a lot more hitting people with shields. Especially because he’s hunted by The Winter Soldier!

I loved this movie even though a few things were changed from the comic book version, of The Winter Soldier. Namely, Bucky isn’t picked up by the Russians. Rather, he’s a HYDRA (read: super Nazi.) agent, and being a Russian assassin is sort of his cover story. He’s made to look Russian, given Soviet arms, (and an arm…) and brainwashed.  Although, it’s really HYDRA in control.

Yet, every time Cap and Black Widow get closer to the conspiracy, Winter Soldier appears to stop them. Physically, (and with that cyborg arm!) he’s a match for Cap, but not mentally, since he’s being Hawkeyed (a.k.a. mind-controlled.) It’s Cap’s good morals that win the day, even as helicarriers explode around him. Of course, if you’ve read the comics, you know where the Winter Soldier will end up, and why it was necessary that he be the titular villain in this arc.

Speaking of storylines, I guess I’m one of those rare beasts who absolutely loved Captain America: The First Avenger. This may be either because I liked the moral, or because I spent too much time studying WWII and the German language…or all of that! Nonetheless, I was pleased to see connections from the earlier film play into the HYDRA conspiracy. The arrival of Dr. Zola details HYDRA’s Cold War work…which is based in fact. The superpowers did scramble to pick up German scientists in the post-war period. In effect, Cap is still fighting the same war: Freedom vs. fear. Wowzers! Historical fiction! What will Marvel 2.0 think of next?

Speaking thematically, this is where I think Marvel upped the ante for the movies. Behind Cap’s loyalty and trust are (I think.) a tacit rejection of Batman’s use of fear as a weapon, which places Marvel vs. DC effectively in two camps philosophically. Compare Cap’s objections to SHIELD’s operations with Batman hacking every cell phone in Gotham. “This isn’t freedom, this is fear!” Cap might well say. But, philosophy aside, I simply loved everyone in the movie. I really think Marvel just created a great new world by destroying its old one.

Of course, Cap has still got it in either world. He can  still kick butt! And so can his new friends Falcon (I was worried Falcon might be a cheesy sidekick, but he works his way in to be necessary to the plot, and a good pal to Cap!) and Black Widow!  For me, this Marvel 2.0’s best film to date. It has a clear vision, good action, and sets up fascinating story arcs, if I know where this is going. Frankly, I can’t wait to see where they’ll go next! Freedom prevails! 5/5 stars from me!

(Did I mention I think I see where they're going?)

Superman: Red Son (2003)

Superman: Red Son (2003)

“Let our enemies beware: There is only one Superpower now!”

    

   Yesterday, I read Superman: Red Son by Mark Millar. Superman: Red Son is an attempt to look at what would happen if Superman were born in the USSR. Every panel of Superman: Red Son is like a well-crafted propaganda shot. We see it through the eyes of those times. Through black-and-white televisions, satellites as they evolve, and of course live action from the comic's view. At first, Superman has the best of intentions: He only wants to help people and use his powers for good. He even has a certain childish naiveté about being used as a Communist soldier.

    It begins innocently enough. After Luthor brings down Sputnik, Soviet Superman saves it from crashing into Metropolis. But, that is only Luthor’s first test for the Man of Steel. (PS: I think I already knew “Stalin” translates to “Steel”, but I never thought of it as “Man of Steel” until this comic pointed out there are two Stalins…mind-blowing!) He also creates Bizarro as an American Superman, and even hires Green Lantern by order of John F. Kennedy!

    Although Superman’s intentions are good, he doesn’t respect the freedom of others. He just wants to keep them safe and healthy. By 1978, the USSR, not the U.S., controls the world politically. But, Superman has taken on a frightening appearance, almost demonic, as he begins to rule the USSR and replace dissenters with robots. Everyone has a job. No one complains. The world runs like an Orwellian nightmare.

    In this universe, Batman’s parents were shot by the head of the KGB in a purging. This of course makes him the head rebel against Superman. He’s even got a wool hat with a Bat symbol on it. Anyway, since Superman only listened to propaganda in this universe, he never finds out about his weaknesses, and Batman beats him near to death under red sunlight, courtesy of Luthor.
 
   Batman is eventually cornered by Wonder Woman, a Communist convert. I enjoy picking on DC about this. It does always seem to come down to Batman vs. Superman, no matter what universe. but I won’t spoil anymore, because it’s a great book and a treasure to look at…a truly mind-challenging comic!

    My point is, this comic could’ve easily been very one-dimensional. But, it’s not. You see Superman change from just wanting to feed the hungry to replacing dissenters with robots. It’s truly haunting and invokes Orwell for me. Through it all though, there’s one thing that never happens: Intercultural dialogue.

Throughout the real Cold War, both sides sat down and talked to avoid going to war. Here, since Superman rarely talks to anyone in the U.S., and is routinely betrayed by his own friends looking to climb the Soviet political ladder, his connection to humanity becomes very remote, and hence he always forces his will on others.

His closest advisor becomes a former enemy. The lust for power replaces gradually any need he might have left for compassion…or does it? Since I promised I won’t spoil…But, it really is a life-changing 4-star comic with great lessons about communication, power, friendship, and history. 4 stars for this one! And remember…He’s watching you.

Doctor Who: Cold War

Doctor Who: Cold War 

“Hair, shoulder pads, nukes. It's the 80s. Everything's bigger.”

-The Doctor 

How do you make Clara relevant? Add David Warner! David Warner in this episode plays a Soviet crewmember/mechanic on a nuclear sub where a frozen Ice Warrior has been discovered. Clara is amazed that she can speak Russian, so the Doctor has to explain that the TARDIS translates, again. Anyway, the Doctor had planned for a Las Vegas trip but mistakenly arrives on this Russian nuclear sub in the 80s, and the Ice Warrior perceives it is captured, and discovers the missile abroad which could start WW3.

   David Warner’s mechanic is obsessed with Western culture and rock music. He serves as an intermediary to the Russians and the Doc’s Crew and convinces the captain they aren’t British spies (as originally thought.) For once, the Doctor tells the truth that he’s an alien. David Warner inspects the screwdriver and says maybe they’re telling the truth. Clara acts like a dope and confronts the alien but not before the Doctor explains that maybe now’s not the best time for questions. (Again, she doesn’t understand that theoretically the world could end in the 80s.) But, The Doctor is discovered while Clara again asks The Doctor what to say to the giant alien warrior.

    Well, this makes the creature angry and it busts free to find the missile. Since the TARDIS vanished away in defense mode when the Russians shot at it upon arrival, they can’t just zoom away from the nuclear crisis. David Warner makes funny remarks and asks what happens to Ultravox in the future. He has a stylish walkman. The Doctor finally confronts the alien and tells it that it has no honor, which is an affront to his warrior code. Meanwhile, with the creature’s cooperation, The Doctor shuts down the missile, but not before the mad Russian captain attacks it with a machine gun; The Doctor tells him to stop though, and eventually the Ice Warrior mothership arrives, the problem is resolved. The TARDIS materializes (Wa, wa, waa…) in the South Pole and The Doctor asks for a lift as Clara and the Russians laugh off this near-Armageddon episode in Classic Doctor Who manner.

  A nice funny episode which reintroduces newbies to the Ice Warriors and concepts like the TARDIS translation matrix. Unfortunately, it still makes Clara look like a newbie, but David Warner’s giddy Russian portrayal at least excuses and expertly equals her naïve behavior. The dénouement  with the ice warrior’s code of honor being invoked felt particularly classic, as did the laugh-it-off ending. So 80s. Although the 7th Doctor hated the Ice Warriors, here we see a Doctor with the knowledge that the Cold War can end peacefully, and so he negotiates with them, instead of vowing their destruction. A nice mix of old and new that’s been a theme this season; no doubt for the 50th anniversary!