Tron (1982):

Tron (1982):

“A computer hacker is abducted into the digital world and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program.”

Tron is a very interesting movie. It's about computer programmer, Kevin Flynn, who gets zapped into the computer world while programming his game, Space Paranoids. The Master Control from The Dillinger Corporation has grown tired of assimilating corporate data, and wants to add the data of people and nations to itself. So, it abducts Kevin and puts him inside the game room, which is designed like an old gladiatorial arena where deleted programs usually compete for freedom. Kevin is the first human to be zapped inside the computer.

Inside the computer is a very weird and surreal early 3D environment. The programs all wear neon outfits that are blue or red for good or evil. It almost reminds me a little of German Expressionism, in that abstract shapes and colors convey emotion inside a twisted reality. Once inside, Kevin becomes somewhat of a messiah figure. The programs look at the Users like gods. And the Master Control only wants to add to himself.

It tries to punish Kevin by making him compete in the games, but he goes off grid with his allies Tron, RAM, and Yori. Tron outruns some tanks sent after them. Because Kevin worked on the game, he can pilot some of the vehicles meant for other games too. Tron uploads this data to his disk, which all programs have, which they'll need to defeat the Master Control. They come to a pool where they can replenish their data like water after the chase, but RAM dies, or rather, “de-rezzes”.

Before he disappears, Kevin gains control of a glider called a Recognizer, which he can pilot like an arcade game with a joystick. Kevin brings Tron and Yori to an unfinished part of the game, but since he programmed it, he can get through. Meanwhile, Tron and Yori have to get through the control tower guard who resembles the User DuMont to talk to Kevin and join up with him.

They find the real DuMont being tortured by Master Control in a room full of red, tortured programs. Finally, Tron challenges the head slaver Captain Sark to the disk-throwing game, and slices his brain open. It's actually quite a grizzly scene, even in 80s CGI. Flynn challenges the Master Control and helps Tron, as a program, add all his data disk to Master Control, freeing the system. All the lights turn blue, and the programs are free.

Overall, Tron is pretty great. It's a little goofy in its use of computer terminology, but I like the strange operatic feel it all has. If programs were alive, they'd probably see us as messiahs. And I like the gladiatorial story this opens up to the viewer...even if it is a little cheesy, it does raise good points. Does Machine serve Man, or does Man serve Machine? It's high-concept sci-fi.

And in the end, the Machine (Tron and his friends.) is helping us, the Users. (Kevin Flynn.) Meanwhile, the 3D gives it a sort of mesmerizing dream-like quality, so it's never boring to watch. I'd say if you have time, give it a watch. It's free on Disney+!

Doctor Who: Cold War

Doctor Who: Cold War 

“Hair, shoulder pads, nukes. It's the 80s. Everything's bigger.”

-The Doctor 

How do you make Clara relevant? Add David Warner! David Warner in this episode plays a Soviet crewmember/mechanic on a nuclear sub where a frozen Ice Warrior has been discovered. Clara is amazed that she can speak Russian, so the Doctor has to explain that the TARDIS translates, again. Anyway, the Doctor had planned for a Las Vegas trip but mistakenly arrives on this Russian nuclear sub in the 80s, and the Ice Warrior perceives it is captured, and discovers the missile abroad which could start WW3.

   David Warner’s mechanic is obsessed with Western culture and rock music. He serves as an intermediary to the Russians and the Doc’s Crew and convinces the captain they aren’t British spies (as originally thought.) For once, the Doctor tells the truth that he’s an alien. David Warner inspects the screwdriver and says maybe they’re telling the truth. Clara acts like a dope and confronts the alien but not before the Doctor explains that maybe now’s not the best time for questions. (Again, she doesn’t understand that theoretically the world could end in the 80s.) But, The Doctor is discovered while Clara again asks The Doctor what to say to the giant alien warrior.

    Well, this makes the creature angry and it busts free to find the missile. Since the TARDIS vanished away in defense mode when the Russians shot at it upon arrival, they can’t just zoom away from the nuclear crisis. David Warner makes funny remarks and asks what happens to Ultravox in the future. He has a stylish walkman. The Doctor finally confronts the alien and tells it that it has no honor, which is an affront to his warrior code. Meanwhile, with the creature’s cooperation, The Doctor shuts down the missile, but not before the mad Russian captain attacks it with a machine gun; The Doctor tells him to stop though, and eventually the Ice Warrior mothership arrives, the problem is resolved. The TARDIS materializes (Wa, wa, waa…) in the South Pole and The Doctor asks for a lift as Clara and the Russians laugh off this near-Armageddon episode in Classic Doctor Who manner.

  A nice funny episode which reintroduces newbies to the Ice Warriors and concepts like the TARDIS translation matrix. Unfortunately, it still makes Clara look like a newbie, but David Warner’s giddy Russian portrayal at least excuses and expertly equals her naïve behavior. The dénouement  with the ice warrior’s code of honor being invoked felt particularly classic, as did the laugh-it-off ending. So 80s. Although the 7th Doctor hated the Ice Warriors, here we see a Doctor with the knowledge that the Cold War can end peacefully, and so he negotiates with them, instead of vowing their destruction. A nice mix of old and new that’s been a theme this season; no doubt for the 50th anniversary!