Avengers vs. Justice League: War

Avengers vs. Justice League: War

Captain America: “We need a plan of attack!”

Iron Man: “I have a plan. Attack!”

So, in my last post, I made the claim that there are aesthetic differences in the movie Justice League: War to make it different from Avengers, but that it was basically the same plot. The main aesthetic difference I argued, was fear as a motivator. From the beginning, it is established that Batman is a fugitive, hunted by Green Lantern.

    The heroes in Avengers, however, start out as heroes, and active members of their respective communities from SHIELD to India, for The Hulk. In Justice League: War, The impetus for banding together was only the invasion; but they didn’t have 3 hours to jibe and develop relationships between the characters. Iron Man/Hulk do a good job joking and teaming up to work on the alien object, even though Cap chastises them for being unfocused.

   So, from the start the heroes are paired together, and play off of each other. I often say of the Avengers movie that it is a good example of a viable theory of group communication called “Forming, storming, and norming.” It is of course, arguable that Hawkeye needed a little more exposure, but as the only one in this group who hadn’t had a movie yet, he couldn’t be in the first two stages. Justice League: War has little time to develop and thus normalize the heroes roles: essentially we have “forming, storming, Batman!” But, what is forming, storming, and norming?

    Forming is when the group forms. Black Widow serves this purpose, as well as SHIELD, as well as pairing off the heroes to form relationships…as when Cap breaks up a fight with Tony Stark. Superman also fought with Batman like this. But, then, Batman has to rescue Batman. Also, it’s telling that Wonder Woman avoids meeting the President. I know that’s comic relief, but she acts as a fugitive as well. Whereas Cap keeps the group focused by remaining in his past role: The soldier.

  In this respect, each Avenger contains something that connects him to the mission….and that they’re opposed to. Storming is when they question the mission. Even Tony Stark’s suspicion of SHIELD plays on Cap’s trust in SHIELD. Hulk’s rampage and defeat by Thor connects him to Thor. So, he ends up paired with him. Justice League: War has a storming stage, but it is short, since the heroes never meet until the invasion, and Batman rescues Superman. Abducting Superman for conflict reasons, I feel is an odd choice, but it served to show Batman as a leader, and he takes charge, but the end result is the group never feels solidified…it’s Batman’s show…but that’s okay! They have forming, storming, Batman.

   In sum,  Avengers had more time to dealt with forming, storming, and norming. The norming is solidified by the teams mutual avenging of the death of Coulson. It feels less dark because there is more humor (Iron Man’s a jerk, sometimes, but he enjoys himself!) and has more time for the group’s conflicts to resolve. But, in Justice League: War, DC wants the tension to be there, to use a phrase, because he’s Batman.

  Batman thrives off of being a fugitive, and why not? Batman is popular, and this gets the team together quicker…at the cost of character development. In a sense, DC must go with the Batman feel at this point, because the audience already knows him. In a similar vein (Although you have to credit the writers!) Marvel’s Avengers follows the aesthetic of it’s most bankable character for much the same reason. And they are both billionaires…ironic since they are the most bankable.

Ultimately, the cultural aesthetic comes down to who was leading the group. Cap leads the Avengers, kicking into full army mode and formulating his plan of attack! Batman serves as a leader, but only after Superman is underplayed. But, the circumstances called for him to step in…Because he’s Batman! And it would save them making more movies.

Even though Justice League: War is a good preview of what a Justice League movie might look like, to me, it’s clearly following an Avengers formula…but that’s okay! It’s a good decision. That just means they’ll have to go with more familiar characters, and resolve less interpersonal conflict. But, Batman thrives on conflict, and just happens to be the most recognizable character in that universe. Yes, the Avengers all had movies, but DC is playing catch-up, and doesn’t have time to build up there characters. So, Batman may be the hero the DC movies deserve…but not the one they need! Only time will tell!

Bonus Question: Who do you think would win? Avengers or Justice League?

Justice League: War (2014) Review

Justice League: War (2014)

Batman: “The world’s afraid of us.”

Green Lantern: “You say that like it’s a good thing.”

Batman: “It’s necessary.”

Justice League: War explains the origins of the Justice League and how they united to fight against Darkseid. But, first some had to fight against each other. Green Lantern chases Batman around Gotham believing he is an alien with a bomb. But, he’s actually stopping an alien with a bomb! In the fight and battle of wits that ensues, Batman disarms Green Lantern! It’s a very good demonstration of Batman’s skill and shows that he isn’t just a guy in a batsuit.

Really, I guess that’s the only problem I have with the film is that it’s way too Batcentric. Movies seem to have lost the idea of how to portray Superman as a leader and symbol of hope. Here, he’s an Old Testament-type God-figure, introducing himself by tossing Batman around until he realizes he’s not the enemy. It’s a might-makes-right philosophy…and I think it’s telling that they can’t represent hope without it choking fear. We can’t let Superman stand on his moral authority like Christopher Reeve's Superman did. Batman leads the Justice League now. With fear as a necessity.

But, also against this, we see the story of Wonder Woman, who prefers to spend the day eating ice cream with a girl instead of meeting with the President until the invasion. She at least provides some comic relief. And feminist philosophy. At one point, she gets one of her protestors to admit that he cross-dresses as Wonder Woman via The Lasso of Truth. It’s funny, and at least shows her philosophy of fighting for Truth, rather than hitting everyone right away.

Now, eventually we see characters like Flash (Who analyzes the metal from the bomb.) and Cyborg, and Shazam. All these characters are played spot-on. Flash has his signature fast-talking quick wit. “It’s an honor to meet you, sir…Batman…Batman, sir!” Cyborg’s backstory is the most detailed, which I believe they should focus more on should they make more movies in this storyline. His scientist father basically reveals that he missed his son’s football game to analyze the metal, because whatever he can do with football (in the world of superheroes.) is a joke.

Later, when  he becomes infected with an alien symbiote, his scientist dad uses a “quantum computer” to save his body, and he becomes Cyborg. It’s a cool story, and shows how technology can make us compete with superheroes. With a power chair, I know this firsthand.

And then of course, there’s  one of the JL’s greatest opponents, Darkseid. He appears out of the alien rift caused by this terraforming bombs. Superman again is a little underplayed here, and he gets abducted, and Batman rescues him. But, this is Batman’s era. I thought how all the team fought together using their powers (Flash for distraction, Green Lantern to repel the army, etc.) was nice. Wonder Woman stabs out Darkseid’s eyes, perhaps in a nod to the Cyclops myth. Oh, yes, it’s an adult cartoon, so there’s blood, and swearing…but that’s what I expected.
 
Overall, it’s a great feature, and the animation is gripping…reminiscent of Batman: The Animated Series. Very refreshing to see hand-drawn styles, at least…I miss hand-drawn style. It sounds weird, but as I’ve said before I’m a secret animation geek, so it really pulled me in. Especially with the plot! I’ll add a star just for seeing some good animation.

So, in conclusion, yes, Superman’s ideal (Justice) is underplayed for Batman’s fear-based aesthetic. He even wears the Man of Steel (New 52, actually.) outfit! But, I can get used to a Batcentric JL if that’s really what people want in the post-9/11 world. But, is it “necessary”? No. Okay, that’s my final philosophical critique. I actually really enjoyed this movie and the animation, and the essence of the characters.

I mean, there’s Cyborg’s technological genius, Shazam’s bravery (And Shazam is voiced by Sean Astin!), Green Lantern’s willpower, Wonder Woman’s Truth, Flash’s quick wit…if DC’s looking to copy the success of the 2012’s Avengers (Hint: They are. Superman is Hawkeye here, Flash is Iron Man, Wonder Woman is Captain America…even the star-spangled outfit…has to rediscover the modern world.) They succeed here! Now, just make Superman a little more useful than Hawkeye! Oh, snap! 4/5 stars from me! Go see it!

Iron Man and Hulk: Heroes United (2013):

Iron Man and Hulk: Heroes United (2013):

“Well, Hulk I’d say it’s been nice seeing you, but…It really hasn’t.”

- Iron Man

Hulk is on a rampage! After Abomination (Evil big Spiky Hulk!) is let loose, Hulk is willing to destroy the city to stop him! But, not Tony Stark. And he’s been training the Hulkbuster armor. Hulk and Iron Man go at it, and trade ultra-sonic blasts. Actually, if you’ve seen the Avengers, you know Hulk always needs to go on a rampage first. Before they can team-up. The Hulkbuster armor doesn’t actually get used much. But, the training is nice, and then Tony has to break up Hulk/Abomination.
   
    Now, as it turns out the evil Dr. Kuhler was planning on siphoning the monsters’ rage through an arc reactor. And as they are both fighting, he’s able to get access to both. Hulk battles evil Iron Man suits is imprisoned with Abomination in one of those giant turbine things that look like the ones in The Incredibles and they are imprisoning Mr. Incredible.

   What Dr. Kuhler didn’t expect was the creation of Zzzax. A being of electrical power, who Iron Man is able to stop by “overfeeding it”. Since Zzzax siphons off power, and is resistant to both Hulk and Iron Man. He’s beyond even the control of Dr. Kuhler and his Hydra agents. But, Iron Man and Hulk have so much power, they’re able to “give it a stomach ache” together.
 
 This is a neat little animated feature. First off, the whole thing is basically one long fight: Hero-to-hero, villain-to-villain, so there’s not much too complain about. (But, the 3D is a little dated. It's reminiscent of MTV’s Spider-Man from 2003.) Secondly, it’s only about 70 minutes long, so it is rather short. But, it packs a punch, and you get plenty of Iron Man’s wit. I didn’t like that Hulk spoke good English, but that’s personal preference.

Overall, I’d say if you’re a fan of action-based comics and have 70 minutes to watch Hulk tear up New York, give it a watch. The 3D might be a little distracting. But, it is a good story if you like Hulk and Iron Man…or The Incredibles! 3 out of 5 stars from me. Even though it feels like it belongs in 2003, it’s a wild trip! I agree with Iron Man. It would be nice, you just never want to meet Hulk that way!

IRON MAN: WORLD’S MOST DANGEROUS VOL. 2 (2009):

IRON MAN: WORLD’S MOST DANGEROUS VOL. 2 (2009):

“I’m just like everybody else now, Pepper. I’m just…normal. And I hate being normal.”

- Tony Stark

     For context, there was a time when I was out of the loop with comics, and I wanted to get back in. So, I remember asking someone in my college cafeteria: “What’s happening with The Avengers these days?” All I knew of The Avengers back then was from videogames, and a few appearances in cartoons. He said: “Oh, they disbanded.” I said: “What?”  Okay, so my jaw dropped. So, when I got back into comics, the first storyline I followed was “The Avengers: Secret Invasion” slightly before the first Iron Man movie came out.

Okay, that was for context. Because I believe “World’s Most Dangerous” may have been an attempt to close that Secret Invasion/Iron Man story arc, and here I have only one part of the story. But, it’s a good one! Tony Stark is on the run from Norman Osborn, who became a mayor, stole Tony’s tech and replaced SHIELD with HAMMER. Anyway, this is less an action graphic novel and more a chase across the globe…though there are battle scenes.

What bothers me the most though about this comic is the way Tony Stark is destroying knowledge of his tech by giving himself memory loss and brain damage. Surely, there must be a more efficient way…but we can tell in this respect that the Marvel movie era is in full swing, as it has him swing by Russia, and ultimately to Afghanistan, where it all began…previously his origin began in China.

Cleverly, he borrows Crimson Dynamo’s suit (an older Russian model.) as his understanding of more complex suits begins to dwindle. But, this gets him clobbered by Pepper Potts in her own suit until they recognize each other…there is some forced drama…but it’s nice to see Pepper kick butt for once.

In a way, the story is oddly prophetic…in Iron Man 3 he DOES DESTROY his suits for no good reason. I know…true love or something. But it least here he’s got brain damage as an excuse. There’s a subplot with Iron Man and Madam Masque, suggesting they had an affair…because of his brain damage? I guess when you remove Stark’s intelligence…he becomes a real jerk. But, I suppose he’s doing it for a good cause.

Lastly, at the big showdown in The Middle East…he gets shot by some terrorists, and he tells them they should just finish the job. But, they can’t, seeing that he’s not the “eternal angel of death” they make him out to be. The message is kinda mixed. It’s forgiveness and self-sacrifice, but also…he has the brain damage…which also seems to insinuate that he has a license to be a jerk.

The ending was satisfying, though. Because Stark gets the crap beat out of him by Osborn, showing the world’s media that Osborn isn’t a hero. So, he’s on the way out. It’s an all right read. Especially the little cameo reveal at the end by Thor-in-disguise! Maybe he can give him his brain back! I mean, without his brain, he is kind of a jerk. And I know it’s about empathy and self-sacrifice, but the way it’s portrayed is hardly a disability rights spin. But, maybe that’s next issue…also the art is fantastic…in spite of the sappiness! 2 out 5 stars!

BATGIRL VOL. 2: KNIGHTFALL DESCENDS (2012) REVIEW:

"Are you seriously going to complain that you can walk again? You think you’re the only person who’s ever regained mobility?”

- Black Canary to Batgirl

Oddly, with Batgirl Vol. 2, Gail Simone goes back to Batgirl’s past rather than immediate recovery after The Killing Joke. It begins with the day she became Batgirl and puts on a bat suit while trapped in the GCPD. This volume deals more with the psychological damage caused by the Joker, instead of her physical frailty. More to the point, it incorporates The Court of Owls and even a Bane-type character in a gang. I get that it all connects her to Batman’s history, but frankly it feels a little recycled.

Batgirl faces three enemies: An epicure in a devil mask named Grotesque who can channel electricity. Now, I liked this part of the story, but mainly because there’s a brief cameo from Black Canary who trains with Batgirl and reminds her she never complained before when she was in a wheelchair. (As Oracle, leader of The Birds of Prey.)

From there, there’s a weird subplot about a young girl, (Ms. Carnes.) whose home was invaded by a mass murderer, and she now tortures evildoers for revenge! And now James Jr. is a psychopath working with The Court of Owls. Ew. Too many good-guy-turned-evil twists. But, I guess comics just work that way.

That’s not the Bane girl. Her name is Bonebreaker, her gang member. Their leader is the young girl…who’s name is Knightfall. But, as Batgirl is tracking Grotesque, the Owls take over Gotham. This is clearly meant to overlap with The Court of Owls storyline, which was running at the same time. Fair enough. I just don’t see why James Jr. had to be brought in. We’ve established that the histories are intertwined. Leave Batgirl’s family alone.

Also, her estranged mother comes and leaves again. And it’s established that Joker is tracking her a la The Killing Joke near the end. Poor Batgirl just can’t get a break with the family issues. Although I guess it follows the same logic as Court of Owls Vol. 2, where it’s revealed that Batman’s long-lost brother is leading the owls.  Not a lot I liked about this one, with it’s constant interwoven plot twists.

 One part I did like though, was when she mistakenly battles Batwoman in a police detective’s apartment, believing her to be an undercover agent of Knightfall’s gang. (Yeesh. What a corny name: Knightfall. Even the name Knightfall recalls Bane‘s entry title!) So in the end, she’s able to track Knightfall and work with Batwoman to free the prisoners. She gets the prisoners to hold Ms. Carnes back so she can fight her. The end of the novel seems to suggest a volume 3, with all Batgirl’s former villians being freed, (Mirror, Grotesque, and Gretel.)

Overall, I feel like Volume 2 kind of sacrificed the originality of exploring her recovery in favor of getting her back into action. This is okay, since action is what heroes and heroines do, but I was more upset by the co-opting of The Court of Owls and Bane-type plotlines. Surely, Batgirl can survive with an original rogue gallery rather than cheap Batman knock-offs. And not to dwell on the training scene with Black Canary, (My favorite part!) but that one scolding scene is basically all we get from the recovery angle so richly explored in the first volume.

So in conclusion, the action was fun, and I really enjoyed the first half, until The Court of Owls and a Bane clone were brought in. I don’t think Batgirl should be a Batman clone. She’s got her own individual origin (Explored in this volume!), rogue gallery, and set of issues to deal with…such as being paralyzed by Joker.

Now, some might say she can’t dwell on it forever, but I maintain that without her own set of issues, Batgirl becomes a Batman clone…and she’s capable of more than that. In sum, I knew they’d drop the recovery angle, but I guess I…was still disappointed by how quickly it was dropped. By the way, for the original characters in the first half, I give this 3 stars, but the Owl/Bane parallels are groan worthy.

Ohayocon 2014

Yesterday I went to Ohayocon. My friends took me directly to the comic store. I bought an Iron Man graphic novel for $5. Sundays are the cheapest because they’re trying to sell everything. I saw some strange toys. Who wants to play as Whirlwind in an Iron Man set? Collectors, I suppose. The funniest toy I saw was an Invisible Woman action figure. I guess if you wanted to play as her without powers. Anyway, a friend bought Japanese chocolates and then we headed out.

Once we were on the main floor, I of course took time to take in the costumes. I’m growing used to the sight of big animal costumes, and the sheer  number of Doctor Whos. I was lucky enough to be recognized by all of these groups. And of course, I always see some cat girls who have wheelchairs, which is nice. I mean, the accessibility is nice. And the costumes. And before I left some girl told me: “I just have to say…your outfit…is amazing!” Which is always nice. It’s part of why I go. To share in the fandom.

Granted, I ran over two people accidentally, but its really crowded on those dealer floors. I couldn’t (or rather my friends and I…) couldn’t find any artists doing superhero prints. I got a Full Metal Alchemist wall scroll though, which looks really nice, and that’s one of my favorite animes. All the rest of the artists seemed to do more girly animes, or zombies. But, I still got my wall scroll! A friend said he could swend me some DVDs later, so I didn’t have to worry about my budget…still kind of disappointed to get no superhero prints, though. But, my friend also gave me a 3D-printed Green Lantern ring as a parting gift: win-win!

That’s why I like cons. Such nice people, and such weird stuff to see! Where else can you see two dudes just hanging out in Kryptonian armor, and eat Japanese chocolate? (Well, Japan maybe…but not both at once.) And as I went dressed as the 4th Doctor, I never got tired of hearing “Hello, Doctor!” or “Hey, look, it’s The Doctor!” There were dozens of Doctors, so that was really special when someone pointed me out of all of them. I love going to cons because I don’t feel disabled when I go…and I think I’m getting the hang of coordinating these trips with friends. Just stay with the group…try not to run people over. But, hey, it happens.

Really, the only thing I didn’t like about the con was the crowdedness. But, that really can’t be helped. Also, even though I went on a day when things were cheap, things like DVDs and prints were still relatively expensive. But, I kept a reasonable budget. My friend Eric said he saw a man who came with thousands of dollars who bought out an entire booth of DVDs! Such was the craziness of Ohayocon 2014. But, I had a blast, and everyone was friendly!

I recommend going to Ohayocon especially for anyone with disabilities, because it’s such a positive experience to be around people who see you for the you…you want to be! And also, this trip wouldn’t have been possible had I not planned it out with my friends. So, I’m grateful that we went! I had a blast. I always do when I go to these things and see all this stuff I never would’ve otherwise. Great company! Good times! More pictures forthcoming!

BATGIRL VOL. 1: THE DARKEST REFLECTION (2012)

BATGIRL VOL. 1: THE DARKEST REFLECTION (2012)

“I'm not Barbara Gordon. I have to keep remembering that. Tonight, I'm not Barbara. Tonight, I'm not the Police Commissioner's daughter. Tonight, I'm the one who pored over the details of the confidential police and reports when her dad wasn't looking. I'm the one who recognized the vintage costumes you wear. Tonight? Tonight, I'm Batgirl.”

- Batgirl

     I have to admit, when I first heard that Barbara Gordon was out of the wheelchair for The New 52, I was extremely skeptical. But, far from avoiding disability issues, this graphic novel deals specifically with Batgirl becoming accustomed to being able-bodied again. In any case, it is rare that a graphic novel directly addresses disability and able-bodied presumptions.

She accepts her time in the chair, and even says as much throughout the comics:  “Does everyone see me as broken?” I was a little upset that they only had her as Oracle (That is, disabled.) in the story, for 3 years. But, no matter, maybe she got Bat-physical therapy.  She’s out to prove that she never was broken and is ready to take on cases alone.

A big theme of the comic is self-doubt, and contrasting her new able-bodied life with her old one. She keeps her lift-van. We begin by seeing Batgirl taking down a Halloween-themed gang of youngsters, The Brisby Killers, whose costumes she recognizes. After she takes them down (But, she’s critical of herself for using the wrong intimidation tactics.) we’re introduced to two new characters: Mirror, the graphic novel’s primary villain…a Federal Agent after people who got second chances while others didn’t…and Batgirl’s new radical-feminist roommate Alysia.

Outside the apartment, Alysia makes a comment about her lift-van and being in a wheelchair “Like being in prison.” Batgirl gives us this stunning insight in an aside: “She doesn’t mean anything by it. I know she doesn’t. She doesn’t know what it’s like, what the chair helps you do. And I guess I don’t feel like explaining that to her able-bodied-but-well-intentioned self right now.” How many times I’ve thought this to others myself!

Okay, so Batgirl got me hooked on the disability issues. But what about the villain, and the action? Well, Mirror’s got a list of survivors, and Batgirl’s on it. The first victim should’ve drowned, so we meet him drowning someone with a hose. But, Batgirl meets him in a hospital where he attempts to shoot her in the spine and break her legs even. He knows how to exploit her survivors guilt. Because he was one. He survived a terrorist train-bombing.

So, not only does he “mirror” the accidents the survivors lived through, but also their fear, which makes him kind of bizarre and nightmare inducing. He sets several traps for Batgirl, including in a cemetery, on an exploding train, and finally, in a hall of mirrors where she tells him he can survive, and defeats him by using his fear against him.

Now,  there’s a ton of other self-conflicts throughout the comics, especially when she fights Nightwing who wants to prevent her from being put back in the chair (irony?), but Batgirl insists that she must fight Mirror alone…each relationship has sort of an overprotective, presumptive quality that I dare say I’m used to. For example, when Barbara goes on a date with her former physical therapist, he tells her: “Miracles do happen.” Batgirl replies: “I’m a skeptic. I don’t believe in miracles.” (Yes!)

Also, when she goes to tell her father about where she was, two word bubbles appear, one is “What I want to say is” followed by “But, what I really say is” she is exhausted by the over-protectiveness. And I’ve been there too. Sometimes, it feels like others just see nothing but the disability, even in spite of more obvious talents.

Finally, in the last story, we meet a villainess named Gretel who can hypnotize people. Once hypnotized, they chant “338” and become zombie-like. But, it turns out Gretel was actually shot in the head three times by a mobster with a .38; Batgirl uncovers this after their first meeting. Gretel’s hypnotic ability functions as part of her trauma.

Gretel has since declared war on all powerful men, because they like to stay in power while others suffer. Her next target is Bruce Wayne. But, Batgirl realizes he’s faking being a zombie for the sake of his identity; in the end, she avoids getting hurt and Bruce whispers: “You were always meant to be Batgirl…” Finally, some confidence! After turning Gretel in, Batgirl says she’s been where Gretel’s been too, and can’t blame her. So have I!

To conclude, the art is beautiful…but I don’t think…I would’ve overcome my apprehension about this story if it weren’t so masterfully crafted by Gail Simone. I mean, I always knew Batgirl was disabled, but I guess somewhat foolishly I presumed that once she wasn’t Oracle, she’d be done with disability issues. I’m happy to be proven wrong. If you need a glimpse of disability issues in comics, I think this graphic novel would be in my Top 5 recommendations. 5 stars…Go read it!