TERMINAL FORCE A.K.A GALAXIS (1995):

TERMINAL FORCE A.K.A GALAXIS (1995):

“A sacred crystal with god-like powers becomes the spoils in an epic battle between the good, the evil and the incompetent.”

Ok, this is a clear case of there are two different movies here sandwiched together. One is a Terminatoresque scifi plot with a space warrior traveling to Earth to protect a human. (Galaxis). Another is a crime movie based on a dopey adventurer trying to protect his treasure, and he busts some gang lords. Guess which one gets the main focus.

If you guessed the Terminator plot... no. They focus on the dopey (incompetent) adventurer named Jed Sanders. Brigette Nielsen is good in her role as Ladera. She's searching for the “fire crystal” before it falls into the hands of the space wizard Kyla. And protect Jed. She's good in the role, and clearly doing her best stiff Schwarzenegger impression. But, they don't give her enough to do. She doesn't even use her gun that much.

Turns out, the “fire crystal” is actually what Jed calls “The Treasure of the Incas”. They couldn't afford the movie Jed was supposed to be in, so instead we're given the backstory of Jed, by him talking to a guy in a bar. Later, Ladera shows up and beats up the gangsters that now want the treasure. Then, Jed is confronted by Kyla, who bodyswaps with Ladera via illusion and tries to seduce Jed into giving up the treasure.

So, Jed miraculously figures out how to fire Ladera's laser weapon, as the villain is bragging to her about his plan. That's it for the scifi plot. No, really. Kyla's just gone now. The rest of the movie is Jed trying to stop Victor's gangsters; with of course, his buff Amazon space warrior protecting him. One special thing about this movie is that future director Sam Raimi appears as “Nervous Police Officer.”

It's free on Tubi, and there are some interesting ideas in it, but I say skip it. It's just too obviously two short films stuck awkwardly together. They don't give the actors enough time or action to establish their characters. What you're left with is vaguely watchable, but it doesn't have enough crime to be a good crime movie, and abandons its sci-fi plot to focus on another bland character.

Dead Space (1991):

Dead Space (1991):

"A deadly virus attacks the crew of a Saturn space station."

Here's a weird film. When a flesh-eating virus nearly kills everyone in a space station, a scientist (Bryan Cranston/Dr. Frank Darden.) gets the idea to combat it with a metamorphic virus that can shapeshift and take on biological forms.

Meanwhile, a shipwrecked mercenary (Commander Krieger/Marc Singer.) and his robot companion help investigate the murders going on at the station, trying to restore power to his own ship. Great use of puppets, and music.

My only complaint is, they keep shooting at the creature, after saying several times that bullets can't hurt it. Other than that, a decent sci-fi horror/mystery. It keeps you guessing how they'll defeat the creature. Watch it if you have time.

Lily C.A.T. (1987):

Lily C.A.T. (1987):

“The expendable crew of a corporate space vessel must stop a murderous shape-shifting alien organism that somehow got on board.”

“The corpses have disappeared, leaving everything - even their underwear – behind!” Dular says, after his crew members have been eaten by an alien virus. I mean, it is a good mystery, but probably ruined by early anime dubbing. All the dialogue sounds so choppy and fast as they struggle to sync their lip movements. Other than that, it's pretty much John Carpenter's The Thing mixed with the futuristic setting of Ridley Scott's Alien.

See, there's a cat brought on board by Nancy. Quickly, everyone around the cat dies, and there are reports of an alien virus getting through the air ducts. What's discovered later is that the virus was carried by the cat because humans are “expendable”. So, the Syncam Corporation (who owns the ship.) is probably just evil. Why else kill an experienced crew with a Computerized Animal-shaped Technological robot? (Cat, get it?)

Anyway, you should probably skip this one. But, but I did find it enjoyable in terms of action. The mystery is given away in the title. The choppy English dubbing is way too distracting, and the plot doesn't actually make much sense, other than they're trying to mix Alien and The Thing. Just enjoy the crew getting picked apart by the alien/C.A.T.

The 1980s were an ambitious time for Japanese anime, especially as it expanded overseas and took on American influences. It is at least enjoyable if you turn your brain off, and accept it as a relic of its own time. There are interesting ideas sci-fi discussed such as cryogenics, relativity, and how the crew only ages 1 year every 20 Earth years. But, these details never pan out to anything, and only a few members survive as it rushes to horrific ending.

PASSENGERS (2016):

PASSENGERS (2016):

“A malfunction in a sleeping pod on a spacecraft traveling to a distant colony planet wakes one passenger 90 years early.”

Jim (Chris Pratt) is on a luxury colony spaceship when it wakes him up 90 years too early. At first, he has fun, lives off the ship's supplies and plays basketball, but after a while, his loneliness becomes too much. After discussion with a robotic bartender, he decides to wake up one passenger.

Considering others, he ultimately selects Aurora (Jennifer Lawrence). He lies to her and tells her that the malfunction woke them both up. They begin a romance, but Aurora eventually finds out the truth. And that the malfunction is sending them hurtling towards the sun!

From here, it becomes an ordinary space thriller. I do appreciate the movie investigating old school sci-fi ideas like isolation, but that's all it addresses. Aurora's character development is cut short in favor of a big action-packed climax. There was some controversy about this, so whether or not you enjoy the movie will depend on whether you want an old school sci-fi adventure, or need closure on ethical problems presented in the film.

For my part, I was just glad to see a good space adventure. You just have to accept that it's more about what isolation does to people in space than if Jim should've told Aurora the truth. Their romance is almost incidental: a consequence of isolation.

I will grant though, that the disaster plot seems out of left field. Perhaps if Jim's big lie were really taken to task, we could almost have a different, more interesting movie. But, as it is, I still liked it as a space thriller. Watch it if you can.