Drive (2011):

Drive (2011):

“An action drama about a mysterious Hollywood stuntman and mechanic who moonlights as a getaway driver, and finds himself in trouble when he helps out his neighbor.”

Drive is about a stunt driver who secretly works as a getaway driver. However, he wants out, after a job to rob a pawn shop goes south. It threatens a family he cares about, which is the only peace in his life he has. The driving scenes are really calm and highlight the stabs of grotesque violence. It's almost artful in its deliberate mutilation such as headshots, bashed limbs, or heads.

Ryan Gosling does a good job playing a smooth criminal. He never really loses control, especially in the car. The car scenes are oddly peaceful. The most he'll ever be intense is when he's attacking, but other than that, he's collected. The synthwave soundtrack also adds to this serene feel, where you hear nothing but a soothing bassline until the action creeps in.

In the end, it's up to the driver to return his boss's stolen money, and save the people he cares about if he can. There's Shannon, (his stunt driving boss.) his maybe girlfriend Renie, and her son. Meanwhile, the unnamed driver has to fend off a mob boss's goons before he can return the money. If he can even get to him on time.

Speaking of time, if you have time, give this movie a watch. It's entrancing and almost hypnotic to watch. The soundtrack alone makes it a very cool experience. Were it not an action movie, it'd be relaxing. But, the action scenes are very well done too, they are very heavy, and give a sense of relief when the calm bits drag...then, it's full-throttle!

Perfect Blue (1997):

Perfect Blue (1997):

“A pop singer gives up her career to become an actress, but she slowly goes insane when she starts being stalked by an obsessed fan and what seems to be a ghost of her past.”

Mima is a pop idol who wants to leave her band (Cham) to pursue a career as an actress. But, as soon as she joins the police procedural crime show Double Bind, murders start to occur in the ex-pop idol's name. She discovers a website written by “her” (as Mima from Cham.) that not only lists what she does every day, but also serves as a hit list of writers and producers on Double Bind.

She tries to confront them. Soon, she slowly discovers she's losing her grip on reality, and is unable to recall what she did, and if the murders are real. Where is she? Who are the murderers? Is she the murderer? Is she an actress, or a pop idol? What is reality, and what's on TV?

Satoshi Kon does a great job blurring reality and fantasy. Some of the imagery isn't subtle for a murder mystery. For instance, who is the hired killer? Gee, how 'bout the guy who looks like a hired killer? But, it's a good surrealist horror piece, and much of the mystery still holds up. That said, much of this movie wouldn't make sense today.

Mima doesn't know what a website or a “double-click” is. There are fax machines that call her a traitor. The media landscape has changed so much since 1997, these scenes are almost comedic. Still, Satoshi Kon does a good job putting the horror front and center. There are exploding letters, stabbings, sexual abuse, and even a doppelganger claiming to be “The real Mima”.

It's not to everyone's taste, and is violent, but it's a good look into the work of Satoshi Kon dividing reality and fantasy. If you're in the mood for a surrealist murder mystery, check it out. Just beware, there's a lot of horror, and it's a little dated. Otherwise, I say give it a watch!

Robocop 2 (1990):

Robocop 2 (1990):

“RoboCop returns to protect the citizens of old Detroit but faces a deadly challenge when a rogue OCP member secretly creates a new, evil RoboCop 2.”

A new drug called Nuke is in the city, and Robocop has to take out the cult distributing it. The drug dealer turns out to be a kid, and he can't shoot him. When Robocop finally does track down the cult, he's dismembered and out-gunned. This leads to some silly scenes where they re-program Robocop to not be violent (Still not safe for kids!), police bad language, and smoking.

It's a pretty funny Robocop. A good mix of action-comedy. Meanwhile, scientists are creating a new Robocop program: Robocop 2. Unfortunately, the candidates are psychos and murders, not good citizens like Officer Alex Murphy. There's even a lot of debate over if he's company property, or an officer.

This is just good satire and action movie fun. Robocop unites the cops finally, but it's his human side that wins out. He's not just a company machine, and he has free will. It's a pretty fun watch, and ends with a pretty good shootout between Robocop and Robocop 2. Give it a watch, if you have time!

Read my review of Robocop 1 here: https://bit.ly/3A4alSn

Read my review of Robocop 3 here: https://bit.ly/3lULR7c

TERMINAL FORCE A.K.A GALAXIS (1995):

TERMINAL FORCE A.K.A GALAXIS (1995):

“A sacred crystal with god-like powers becomes the spoils in an epic battle between the good, the evil and the incompetent.”

Ok, this is a clear case of there are two different movies here sandwiched together. One is a Terminatoresque scifi plot with a space warrior traveling to Earth to protect a human. (Galaxis). Another is a crime movie based on a dopey adventurer trying to protect his treasure, and he busts some gang lords. Guess which one gets the main focus.

If you guessed the Terminator plot... no. They focus on the dopey (incompetent) adventurer named Jed Sanders. Brigette Nielsen is good in her role as Ladera. She's searching for the “fire crystal” before it falls into the hands of the space wizard Kyla. And protect Jed. She's good in the role, and clearly doing her best stiff Schwarzenegger impression. But, they don't give her enough to do. She doesn't even use her gun that much.

Turns out, the “fire crystal” is actually what Jed calls “The Treasure of the Incas”. They couldn't afford the movie Jed was supposed to be in, so instead we're given the backstory of Jed, by him talking to a guy in a bar. Later, Ladera shows up and beats up the gangsters that now want the treasure. Then, Jed is confronted by Kyla, who bodyswaps with Ladera via illusion and tries to seduce Jed into giving up the treasure.

So, Jed miraculously figures out how to fire Ladera's laser weapon, as the villain is bragging to her about his plan. That's it for the scifi plot. No, really. Kyla's just gone now. The rest of the movie is Jed trying to stop Victor's gangsters; with of course, his buff Amazon space warrior protecting him. One special thing about this movie is that future director Sam Raimi appears as “Nervous Police Officer.”

It's free on Tubi, and there are some interesting ideas in it, but I say skip it. It's just too obviously two short films stuck awkwardly together. They don't give the actors enough time or action to establish their characters. What you're left with is vaguely watchable, but it doesn't have enough crime to be a good crime movie, and abandons its sci-fi plot to focus on another bland character.

RED NOTICE (2021):

RED NOTICE (2021):

"An Interpol agent tracks the world's most wanted art thief."

Red Notice is free on Netflix, so I figured why not? It's a pretty good action-heist flick. There's a police officer John Hartley (Dwayne Johnson), a conman Nolan Booth (Ryan Reynolds) and a thief called The Bishop. (Gal Gadot). Each one is trying to get the golden eggs of Cleopatra. Pretty formulaic structure here though.

John Hartley is trying to catch The Bishop and sets up the action scenes. Gal Gadot comes in and sets up the sexy/heist scenes. She's always one step ahead. Ryan Reynolds is comic relief who makes fun of Dwayne Johnson's character as he's fooled through Russia, Spain, Egypt, and other exotic locales. He really enjoys seeing Agent Hartley in a bind, and makes it harder for him at every turn.

It's not a bad movie, it's just a little formulaic. Ryan Reynolds is in full wise-cracking mode. You want Gal Gadot? Well, you get Gal Gadot: Sweet talk, and krav maga. Dwayne “The Rock” Johnson is as game as ever to bonk some heads, and not afraid to laugh at himself. Plus, there's a few surprises in store. If you can stomach the setups, watch this one...there's a couple big twists. No spoilers!

Promising Young Woman (2020):

Promising Young Woman (2020):

“A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.”

This is a pretty good revenge flick! What an emotional roller coaster. Carey Mulligan plays Cassie, a barista/hitwoman who spends her time killing scumbag guys who try to take advantage of drunk women. Her best friend was abused and killed at a drinking party. One day, while working at her coffee shop, she meets Ryan, who's a friend of Al Munroe, the guy that killed her friend Nina. She starts what appears to be a cutesy journal, but it's a hit-list of the people she needs to take down to get revenge.

Meanwhile, Cassie goes on a few dates with Ryan. She begins falling for him right as she's on the trail of Al's friend Madison. After trapping her with a drunk guy and giving him her hotel key, she finds out the party Al will be at for his wedding, and moves to strike. But, it turns out that Ryan has a disturbing old video on his phone that might be further evidence, and endanger their relationship.

This movie has a lot of twists and good action. But, it's also really funny. The humor is ironic, and it's a really deep mystery until the end. Because it's recent, I won't give spoilers. Each one of the deaths is satisfying, even when unexpected. A few people reform after meeting Cassie, but the ones that try to get away, you don't feel sorry for.

It's on HBO. If you have time, I recommend it. It's a well-paced revenge comedy with a few dark laughs thrown in. Each victim is fun to watch. Cassie's signature move is to act drunk, and then spring on the victim. So, that's always fun to watch. Yeah, if you have time, give it a watch. It's got plenty of surprises.

Cruella (2021):

Cruella (2021):

“A live-action prequel feature film following a young Cruella de Vil.”

When your villainess is a puppy-skinning madwoman, I say lean into it. But here, she's just a fashionista/thief navigating 1970s London's gala scene. She even has dog companions. This is a pretty good movie, but as a whole it feels really messy, and takes entirely too long to get to the fancy costume battles.

It's a heist movie/comedy/prequel/reboot, but you don't really watch for the plot. You watch for the costumes: the leather outfit, the red dress, the classic Dalmatian get-up, even a garbage truck dress... All very flashy, and eye-catching. I realize they're going for a franchise though. Emma Stone alone could make it work, but just barely.

You see, in this version, it's a revenge plot against her boss who was kinda mean to her in the fashion business. Also, because her boss (The Baroness) is an evil(er?) Disney villainess, she killed her mother. But, I guess in the long run, it only matters that she was kinda mean to Estella (later Cruella.) while she was working her way up the fashion ladder to steal from her.

Acting kinda mean is just how Disney shows class issues. She's poor until she discovers the magical world of fashion. Then, she becomes Cruella, and magically outperforms her mean old boss with the help of friendship, and a boss attitude. It's just that nobody wants to watch mopey Cruella. People wanna see more of her getting justice! I can watch Emma Stone just about anytime, but I really thought the “mean boss” origin was a bit of a reach.

That said, I still do recommend the movie, because I like the 1970s style and soundtrack. I just prefer the old origin story as opposed to the new one that drags on for so long before the action. Watch it with snacks, and enjoy the fancy costumes, though. Then, it's pretty good. If you can stomach the mopey parts. I like the old evil puppy-skinning Cruella, but this one could grow on me, if they make the next movie a little more evil.

VIRTUOSITY (1995):

VIRTUOSITY (1995):

“When a virtual reality simulation created using the personalities of multiple serial killers manages to escape into the real world, an ex-cop is tasked with stopping its reign of terror.”

Virtuosity is free on YouTube for now, so I figured, what the heck? Might as well watch it. I'd like to mention a few things for wider cultural context first. I think in scifi (ostensibly what this blog is about, along with cultural issues.) you have more leeway with what can look dated, because it's more about imagination. That said, it's a very good cyberpunk crime thriller.

Denzel Washington plays Parker Barnes, the only cop who's gotten close to taking down Sid 6.7, an amalgam program of the worst killers, meant to train cops. One day, Sid tells his programmer that he wants out. The programmer tricks another researcher into constructing him an android body, and bringing the villain to life.

Now, Parker chases him through pretty much a landscape of 90s media culture. A techno club (where Sid takes hostages.), a store, a UFC ring, and a TV station. During the chase and shootout, we learn that one of Sid's personalities is the terrorist Michael Grimes, who killed his wife and daughter. Using this, Barnes tracks him down to the TV station.

Sid constructs a “Death TV” game show and takes hostages. Barnes realizes since Sid is a VR training program, he only enjoys playing the game with his favorite opponent. So, he accepts his showdown challenge. Meanwhile, a programmer's daughter is being held hostage with a bomb, just like when his wife and daughter were killed.

After Sid and Barnes fight, the policeman takes out Sid's program, and makes him believe he actually won, sticking him back inside VR. He diffuses the bomb. Cops run over Sid's program with a car. One thing I will say is, I like how the programs look. They're like little orbs. Both Russell Crowe and Denzel Washington add an air of drama to the action.

That is to say, I enjoyed the performances by both Denzel Washington and Russell Crowe. Denzel is usually always a good action hero. Russell Crowe is intense and wacky in this early role. Lastly, I think its amazing what they could do with 90s CGI; essentially screensaver graphics. It's cool to imagine a world where VR and digital technology could immediately become physical.

I'd recommend the movie because it explores cool scifi ideas, stars two talented actors, and is free on YouTube. I can see influences of William Gibson and the Neuromancer trilogy in the writing. (I don't think Idoru was written yet, but it dealt heavily with VR. Seriously, check out those books.) In the end, I think it was an awesome crime movie from a time when we didn't yet know what the Internet would become. Check it out.

PUNISHER: WAR ZONE (2008):

PUNISHER: WAR ZONE (2008):

“Frank Castle, known as the Punisher, ruthlessly demolishes organized crime, but it starts an even bigger war.”

Punisher goes against Jigsaw after he kills his don. Jigsaw was Billy The Beaut, and after Punisher shot up the place, his face ended up in a glass grinder and he becomes Jigsaw. He recruits his old criminal buddies, including “Loony Bin Jim” to take down Punisher. Meanwhile, Frank Castle himself expands his weaponry, finds more friends (Micro and Carlos.), and finds a family to protect.

I dunno. The gunfights were pretty good. Especially in the beginning. It won an award for best stunts in 2010! It's just that in terms of comic book movies, almost anything Batman pre-Dark Knight trilogy looks prehistoric. The whole plot point of Jigsaw being granted immunity because he has information on a terrorist attack seemed a little dated. It is nice though, to see lower stakes in a comic book movie after years of interconnected plots and cosmic enemies.

I will say for as gritty as this was, it wasn't without a sense of humor. Jigsaw in particular looks like he's having a blast. He sort of reminds me of Jack Nicholson Joker. A little more loud and goofy than modern villains. He'll get right up in your face and laugh at the good guys. Although, Punisher being the character he is, he's just sort of unmoved, and just stoically shoots, especially when he blows up the parkour gang boss with a rocket launcher...he's not impressed.

Overall, I'd say the movie was ok, but it reminds me of just a basic mob movie. If you removed the Marvel Comics element, it'd be indistinguishable from any action movie of the decade. Iron Man was just getting into gear though, so you can't really blame it at this time. Things like parkour and Homeland Security immunity unfortunately date it instantly. I'd say skip it, unless you're already a Punisher fan.

ROBOCOP (1987):

ROBOCOP (1987):

“In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.”

When officer Alex Murphy gets his limbs blown off by drug dealers, OCP (Omni Consumer Products) rebuilds him in a robotic body. He takes his revenge against the criminals of Delta City a.k.a. Detroit. OCP buys the police force and attempts to persuade the public to let it take over the city. But, something is very wrong about this plan, and Robocop is on the case.

Murphy begins to rediscover his humanity after his righteous rampage, and catchy one-liners. (“Your move, creep.”) He soon discovers the drug dealers might not be all they appear to be, as he accesses more of his OCP directives. His directives are: 1.) Serve The Public Trust, 2.) Protect The Innocent, 3.) Uphold The Law, and a 4th forbidden directive.

Wonderful action, good mystery, and a theme of what it means to be human and use technology. This film is an absolute classic. I'd recommend it to anyone who isn't squeamish. It is ultra-violent. But, I feel like the violence here serves a greater purpose. Definitely give it a watch if you can. It's free on Tubi!

If PG-13 is more your style, check out my post on Robocop 3 here: https://bit.ly/3lULR7c.

DREDD (2012):

DREDD (2012):

“In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.”

Well, this one starts off strong with a chase scene. But, Karl Urban needs to work on hiding his New Zealand accent. He still pronounces “America” as “Ameriker” in the first scene. Karl Urban plays Judge Dredd this time. He does okay. The Judges are executioner cops in the post-apocalyptic Mega-city. They have cool weapons, and don't hesitate to use them. One of the first guy's heads explodes with an explosive shot.

After that, we find out one of the guys was on a futuristic drug called slo-mo. Slo-mo is distributed by Mama (Played by Lena Headey.) Because she owns this part of the Mega-city, she covers it in metal, and no one can get out. A bounty is put on Dredd and his psychic partner's head.

Luckily, the psychic partner can find out where Mama is. The rest of the movie is a story of betrayal (But, not by the partner.) and a bloody shootout. There's a surprise for Mama. It's an ok movie. Especially a good intro with the chase scene. But, it did just make me want to watch the original 1995 movie. I'd say give this one a watch if you have time.