ROOSTER TEETH THOUGHTS:

ROOSTER TEETH THOUGHTS:

Rooster Teeth, the company that made RWBY, closed recently. I wanted to talk about it. I really only joined Rooster Teeth fandom around 2015. I was certainly aware of Rooster Teeth, because Red vs. Blue premiered in 2003, when I was in high school. But, that was before it had a plot, and it was just kind of friends messing around with HALO assets to make a comedy show. Things changed when Monty Oum was brought in. Monty Oum was a wunderkind animator.

He made things like Dead Fantasy and Haloid (HALO vs. Metroid). What made these shows work was always that they were kinda familiar, fast-paced, and action-packed. Dead Fantasy was Final Fantasy, but not really. Haloid was Metroid vs. HALO, but not really. Along with Monty Oum's focus on fast-paced rhythm-based action (with a background as a dancer.) Monty Oum's style of animation was ultimately a victory of re-branding that re-vitalized Rooster Teeth, and gave it direction.

Now, under Monty Oum, Red vs. Blue became an action show, where it was HALO, but not really. It had a plot and characters, and action scenes. After the success of HALO, but not really, Monty Oum was given the green light to develop RWBY, which was Final Fantasy 8, but not really. The costumes, weapons (Everything is a gunblade.), and plot were straight from the 1999 videogame, but not really.

Parts of media like Kingdom Hearts, fairytales, plus shows like Once Upon A Time and Snow White and The Huntsman can also be seen as influences on RWBY, with a color scheme and elaborate rhythm-based team battles, and attacks. Several fairytales had become public domain in 2012, which made them easy to adapt for the small business. RWBY's popular team-based color schemes allegedly came to Monty in a dream, probably from working on Red vs. Blue too much.

So, I joined right in the middle of all this, by watching RWBY. FF8 was my favorite Final Fantasy, so I picked up the plot immediately. I was all about RWBY for a good while. It was like revisiting one of my favorite games, with a fairytale twist, as was popular at the time. The success of RWBY was unprecedented, spawning a fandom. Unfortunately, Monty Oum fell into a coma in 2015 just before the completion of Season 3. (Seasons of RWBY are called Volumes, like fairytale books.)

Season 3 is widely considered the best Volume of RWBY, as it is a tournament arc featuring many different teams and battles, showcasing the fighting mechanics that made RWBY unique. Additionally, it would open up the world, going beyond locations visited in the previous volumes and introducing the second half of the plot with new villains and character development for Team RWBY. Perhaps most importantly, this meant that Volume 4 would be the first without Monty Oum, as his coma proved fatal.

Volume 4 introduced Salem, the new big bad villainess who was secretly controlling everything. The characters slowly discover that magic is real, and that they do in fact live in a fairytale-type world where they are to act as guardians for sacred relics, before Salem can get to them. This was an okay Volume. It's basically the second half of FF8, but at least it left you wondering what could happen.

Volume 5 splits up each individual member of Team RWBY to give them their own arcs. I understand the reasoning behind this, but I felt like they hadn't developed much as a team first. Yang recovers at home and then tries to find her mother, Ruby joins a new team, Weiss is imprisoned back at her home, and Blake takes a boat trip home to confront her misguided past.

At least they reunite by Volume 6's end. I hung in for all the new characters and villains. The writing on the wall for RWBY came, I think, by Volume 8...when COVID happened. It seemingly changed some direction of the show. Instead of the fast-paced action scenes, I felt like now we have cramped action that takes place in one static location, opting for flashes and bangs in place of dynamic movement, often resolved quickly by Ruby's eye powers or one big move, despite earlier establishing the series' love for gun kata (Kung Fu with guns.), and the characters' skills with their own unique weapons.

Also, earlier the series had made references to the fact that the Kingdom of Atlas was basically Germany. It combined its education and military, and chose a different side in the series' Great War. Even Weiss Schnee from Atlas uses a German name. So, the twist that Ironwood actually wanted to defend Atlas by himself by forsaking dust and the other Kingdoms, didn't shock me at all. If it was supposed to be shocking, it failed, since it was telegraphed all along if you know Final Fantasy and history. Final Fantasy is always setting up Magic vs. Technology.

Since the heroes use dust (magic), it's logical to me that the antithesis of that would be embodied in Ironwood, who favors militarism and technology. But, even this distracts from the main plot, which was supposed to be now defeating Salem. Although, I understand they were trying to create villains for every continent in the show's world, with Ironwood being the villain for Atlas. I was disappointed that they couldn't come together already to defeat Salem.

Time was running out. We were now at Volume 9 (2023), and they took a detour once again to The Ever After, a place where fairytales are real. Yang lost her mechanical arm and Ruby lost her weapon. Weiss keeps insisting there's no way they're in a fairytale. It's pretty much at this point where I watched, but lost my former interest. Magic and fairytales had already been proven real. Ruby had already proved herself as a leader. It was a neat visual detour, but there was no thematic reason to reset characters' motivations, other than that's all the writers knew to do absent the guidance of Monty Oum.

I will say I liked the inclusion of BMLB (A fan-created romance between Team RWBY members Yang and Blake.) being absolutely confirmed in this Volume. But, otherwise, it seemed to retread familiar ground, and reset characters' motivations. The Rooster Teeth merger with Warner Bros forced new projects to be focused on instead of the main show. On top of this, dramatic scandals rocked the once-seemingly benign company, including pay disputes and harassment charges. But, it ultimately survived.

I've already written about RWBY: Ice Queendom, the Japanese anime version of RWBY. In addition, Rooster Teeth focused on cross-over comics and movies with DC's Justice League, which again, while interesting both covered familiar grounds. By this point, if you didn't already like RWBY, you weren't going to watch another origin story and re-introduce the team. They staked everything on the success of RWBY and Batman, but Batman doesn't need RWBY.

You see, what made the show work was always that it was Final Fantasy, but not really. I say that as a fan of RWBY. It was not perfect, but it was the little animation studio that could. If you add Batman to it, or bigger more recognizable entities, in my view, it kills the idea that these characters were home-grown successes. Rooster Teeth had fans who had watched it grow from a small web animation studio, to become something original in spite of being a victory of re-branding Final Fantasy characters with twists. The merger with a giant corporation killed their home-grown success myth.

What will happen to RWBY now that Rooster Teeth is going under? I don't know. Probably, it will just move to a Warner Bros. Company. Maybe Cartoon Network will pick it up, or Crunchyroll. It was a wild ride while it lasted, Rooster Teeth. Everyone involved will probably just come back under a new company. I just hope they can finish RWBY's story, and give it a good ending.

The Boy And The Heron (2023):

The Boy And The Heron (2023):

“A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning.”

Well, I might as well explain my experience of another Hayao Miyazaki movie. I've read a lot of articles saying that this will be his last movie, and it feels like a farewell. To be honest, I think he's been saying every movie will be his last movie since about 2013. We'll see if he makes another movie, but I'm not going to write another post dissecting the farewell symbolism.

With that in mind, the message I got from this movie is that birds are evil. All jokes aside, it's a movie about a boy who discovers a heron who leads him to a tower where his mother who died might still be alive but as a young girl. Birds try to eat him. None of this logic is explained. I think we're just supposed to accept that this fantastical adventure takes place because it is a fantasy movie.

The boy (named Mahito.) tames the heron with a bow and arrow. He then reveals himself to be a shapeshifting dwarf spirit. They go to a lighthouse where a woman guards a fire spirit who might be his mother. There, the birds eat spirits of people yet to be born into the world. He finds his mother protecting the lighthouse with fire magic.

A burned crane explains to him that they are trapped on the island of the dead, and the spirits are all they have to eat. Meanwhile, the parakeet king tries to come into the world of the living, and every bird tries to eat Mahito. They meet a wizard who might be his reclusive uncle in the other world, who tells him he must stay or the balance of the world will be destroyed.

Before the parakeet king can break into the other world, he says goodbye to his mother so she can stay behind, and he can return and she can be reborn as his mother again. If it's about anything, it's really about the cycle of death and rebirth through the mind of a child. And yes, I know it's based on a popular Japanese children's book. But, honestly, I think even without that context, it's still a fun watch...overall, I'd say check it out.

Street Fighter IV: The Ties That Bind (2009)

Street Fighter IV: The Ties That Bind (2009):

“An anime OVA based on the Street Fighter IV videogame.”

OVA means Original Video Animation. In this case, this was an OVA intended solely to promote the then-impending release of Street Fighter IV in 2010. It introduces new characters like Sakura, Juri, Crimson Viper, and Seth. It also introduces the new villain organization S.I.N. Let's get right into it!

Right off the bat, Cammy and her team are investigating a burst of power from South America, eventually calling in Guile and Chun Li. But, their investigation leads them to S.I.N. Chun Li is on to Juri. S.I.N. is who's investigating Ryu's power, the “murderous intent”. (Satsui no Hado.)

Meanwhile, back in the US, Crimson Viper is a CIA agent trying to track down Ryu through Ken Masters. She tracks him down, gets Ryu's location, and fights him in Japan, trying to get him to unleash his full power, just like Seth. Crimson Viper fights Cammy off, and Sakura (The Ryu fangirl.) shows up to cry, and convince Ryu not to turn evil.

Ryu surrenders himself to the CIA, who turns him into S.I.N. He and Seth (And Ken!) fight. It's a pretty straightforward OVA. It basically establishes who's fighting for Good vs. Evil. Plus, it shows that the then-new characters could kick some of the old characters' butts. It's just enough to make you want to play Street Fighter 4. It's only about 64 minutes long. Give it a watch if you're a Street Fighter fan like me.

BlazBlue: Continuum Shift (2009):

BlazBlue: Continuum Shift (2009):

“A few days have passed since the reported raid by Ragna the Bloodedge, The 13th Hierarchical City Kagutsuchi forgets to celebrate New Years, as his alleged involvement in the Mysterious Bombing and "Huge Pentacle Sightings" becomes the talk of the town. With the NOL offering no official explanation, the citizens voice their own theories, exaggerating and spreading rumors like wildfire. Completely indifferent to the state of the city, Ragna grips his massive sword and quietly bides his time—waiting for the chance to achieve his true objective, and then, the enormous power that has ensnared Ragna begins to activate...”

A Fighting Game/visual novel. Colorful characters, attacks, and sometimes waifus. One is a squirrel, and there's a couple cats, a couple robots, a vampire, and one character (Arakune) is a bag full of bees. The main character is a spiky-haired edgelord with a big sword who swears sometimes. There's a backstory about Magic Weapons and time travel, but it's not important. The last boss is Michael Jackson with demon powers, basically. Honestly, if it weren't also a fighting game, I'd say it made no sense. It still makes no sense, but at least it's cool to see. Actually, the visual novel aspect is pretty forgettable, for as complex as it wants to be. But, it's still a cool fighting game. I'd recommend it. Check it out.

Ninja Scroll (1993):

Ninja Scroll (1993):

Ninja Scroll is about Jubei, a ronin who just wants to be left alone after finding out his old friend Lord Genma, has become the Dark Shogun, leader of the Eight Devils of Kimon. All that changes after a government spy named Dakuwan poisons him with a ninja star, forcing him to go on a quest to defeat the Eight Devils to receive the antidote.

This is just good anime fun. Plenty of gore, sketchy content, and an anti-hero protagonist with a “devil-may-care” loner attitude. This is the anime that showed me what anime was all about. Back when the only other anime I'd caught on TV where Sailor Moon and DBZ, though I knew a little bit about Street Fighter and videogames.

Speaking of videogames, each fight here with a Devil is structured like a videogame boss fight, but there are no incessant power-ups like DBZ or Sailor Moon. Just each Devil with a specific power, and weakness. There's a rock guy, a guy with bees, an exploding lady, a blind samurai, a snake lady, a guy with an electric cord, and Genma among others. He simply has to find a weakness in each, and defeat them.

Along the way, Jubei meets up with Kagero, a Kuga clan ninja girl with poison in her body. She helps Jubei after being attacked by one of the Devils. She has a unique ability to poison whoever she “gives her body” to. So, that's an exciting use of her ability. She also has ninja abilities like magic blossoms she can summon.

Overall, Ninja Scroll is edgy, exciting, and fast-paced. Each fight is well-structured, bloody, and awesome. The visuals are great, and the hero is a smarmy anti-hero who isn't on your typical shonen power-up quest. He just wants peace, nothing phases him. He's a chill guy, which makes the battles more exciting. If you have a chance, check it out. It's a must-watch anime!

Astro Boy (2004 series DVD set):

Astro Boy (2004 series DVD set):

I finished watching the 2004 DVD set for Astro Boy recently. It was good. Even though it's a reboot, it followed a lot of Osamu Tezuka's original Pinocchio-type themes from the 1960s series. At its heart, it's about a boy with the power to decide what he wants to do, and who his friends are, even if they appear mean at first. To be honest, I got bored around the 4th DVD when the adventures became more villain-of-the-week episodic, but once it returned to the evil father story from discs 1 and 2, then it was action-packed and really focused.

There are humans who hate robots and humans who wanna be robots, and humans who frame robots for crimes, and robot supremacists. But, Astro Boy fights for everyone. A little cheesy, but good cheese. The last disc is really action-packed too. Robots form their own independent nation, and Astro Boy fights to minimize the damage. Not quite like modern anime violent, but it's on par with something like Avatar: The Last Airbender.

For me, it was refreshing to see something from anime say in effect, that the rules of society are important, but we all have free will. Free will is not a common theme in modern anime, in my opinion. That was nice to see on top of Astro Boy's Good vs. Evil story, with Dr. O'Shay being good and Dr. Tenma being evil. Apart from Good vs. Evil, he learns from having friends, fighting villains (Robot or human.) and playing games (Rocketball and visiting the circus.) that being fair is important. Plus, he has cool powers like an arm cannon, rocket boots, finger lasers, and uh, he can...talk to trees? Anyway, give it a watch if you're itching for some good retro-future cheesiness.

Bubble (2022):

Bubble (2022):

“Hibiki plummets into the sea but is saved by a girl with mysterious powers.”

Hibiki belongs to a parkour team in post-apocalyptic Tokyo after Tokyo becomes filled with bubbles and cut off from the rest of the world. His team is called the Blue Blazes, or BB. They battle other teams like the Under Takers, or The Mad Lobsters in this Capture The Flag parkour sport. One day, Hibiki falls into the ocean water while playing, and swears he sees a mermaid.

This mermaid is actually a feral girl who he names Uta, with a strange secret. She acts like a cat, and has a strange attraction to vortex patterns and The Little Mermaid fairytale. Stranger still, when she hums a tune, the bubbles react to her harmony. Later, she joins the parkour team and helps them defeat a technologically advanced team, The Under Takers, by using the bubbles as stepping stones.

The Under Takers want revenge, and so kidnap Makoto, one of the team members, and challenge BB to a death match. Just then, Uta starts to come apart literally. She's made of bubbles! The team and the morticians have to come find her as the world around them is ripped apart by a vortex of angry bubbles. And soon, Hibiki discovers Uta dissolving into seafoam, just like the mermaid in the story.

Bubble is a very peculiar anime. On one hand, it's a sports drama in post-apocalyptic Tokyo. On the other it's a romantic fairytale bursting at the seams with poetry about the transitory nature of existence, and how all things return back to their source: stars, water, plants, bodies, seashells. The vortex pattern is everywhere.

In particular, I liked that Bubble had good disability representation. Hibiki is shown as having some form of audio sensitivity. But, despite this, he can hear the song of the bubbles. In addition, his friend and mentor Shin has a prosthetic leg, which plays further into the theme of the body as transitory. But, does it add up to anything? Well, I suppose it depends if you like romance. If you do, I recommend this one. For me, personally, I say give it a watch on Netflix. If not for romance, then sci-fi sports action!

RWBY: Ice Queendom (2022)

RWBY: Ice Queendom (2022):

"While Team RWBY studies to become the greatest Huntresses the world of Remnant has ever known, they are faced with a horrifying threat."

Weiss gets possessed by a nightmare Grimm that threatens her dreamworld. After recapping little bits of RWBY Vol.1-2, the story then shifts to Team RWBY trying to save Weiss from this Grimm. It's good to see RWBY finally in anime form, but I don't think it covers enough new ground. It answers the question of why Weiss suddenly gets along with the rest of her team. I like some of the new clothes.

Overall, Ice Queendom is just OK. Basically, Team RWBY was defeated by Nightmare Weiss, and they figured out their dream versions can't defeat her, so they have to figure out what she wants and enter the dream again. They're bringing Team JNPR this time. I don't know how I feel about it. Like, obviously, 90% of animes are about power vs. friendship, and I'll always love the setup of RWBY, but 1.) I kinda feel like I've seen this all before, 2.) even if you're a new RWBY fan, it doesn't work without knowledge of the main series.

I don't feel like they created enough new stuff. And the dream world thing is such a cowardly way to say "We're not sure if this is canon yet." It's literally the "It was all a dream" trope. Good to see the RWBY gang as always, but not enough new. I suppose it's just as well, since RWBY started as a Final Fantasy 8 ripoff...which is fine by me. But, enough was different that the characters became their own. Ice Queendom is stuck somewhere in the middle.

It's ok for what it is, which is a recap of the main series for Japanese audiences without committing to canon. The visuals are pretty good. If you have good snacks, you can enjoy it. But, I can't help but feel I've seen it before. If you haven't, watch it. If you have, you can probably skip it. But, it does add nice little details to the beginning of the main series.

Encanto (2021):

Encanto (2021):

“A Colombian teenage girl has to face the frustration of being the only member of her family without magical powers.”

Encanto is about a magical family, the Madrigals. Every member of the family has a different power except Mirabel, who's never gotten one. When the magical house starts to crack up, she seeks out Bruno, an estranged member of the family with ominous fortune-telling powers who everyone blames for spoiled weddings and various unfortunate events. He's also the subject of one of the best songs: “We Don't Talk About Bruno.”

As the search for Bruno begins, the family members start to lose control of their powers. Strong Luisa becomes weak, Pepa can't control the weather she creates, Camilo can't shape-shift, and turns back into a baby. I thought that was funny. Mirabel confronts Bruno and finds out that she's supposed to embrace Isabela, who's wedding she supposedly spoiled. So, they're not exactly getting along.

After talking and singing with Isabela, she finds out that the grand matriarch Abuela is forcing her into her marriage. She never wanted to marry. Abuela's pain at losing her love was what was cracking up the house. Not much to complain about here. The animation is great, the songs are catchy, and it's a bright and colorful depiction of Colombia. Plus, a great moral about how people are more than their abilities! I recommend it, if you have Disney+!

TMNT (2007):

TMNT (2007):

“When the world is threatened by an ancient evil, the four adolescent turtles must reunite and overcome their faults in order to stand against it.”

I have no idea why someone thought it was a good idea to make a Ninja Turtles movie take place after they defeated Shredder. Part of it takes place in Central America. You have hundreds of villains, characters, and plots to choose from in the TMNT universe. What they decided was to use a standard villain named Winters, and slowly introduce Dimension X, while back in NY, the turtles struggle with menial jobs.

Leo disappears to Central America to learn how to be a better leader...or something. Raph is a superhero vigilante called Night Watchman. Mikey becomes a party clown. Donatello lands a job in IT. It's kind of fun...for a one-off joke, not bringing together the whole team for the entire run-time.

Anyway, monsters start appearing in NY thanks to Winters and a Central American tablet which makes a portal appear. Stone soldiers and mutants start attacking. This is just about the only good fight scene we get with all the turtles fighting as a team. The rest of the movie is them rescuing Leo from the monsters.

It does have a few redeeming qualities. There's a fight scene between Raph and Leo. That was pretty good. The voice actors are pretty good. Patrick Stewart is Winters. Chris Evans is Casey Jones. Mako plays Splinter. It's free on Netflix, but absolutely skip this one, since it's trying to set up franchise sequels we know never happened. I think there was a videogame, but otherwise what a waste of some good ideas.

Cryptozoo (2021):

Cryptozoo (2021):

“Cryptozookeepers try to capture a Baku, a dream-eating hybrid creature of legend, and start wondering if they should display these beasts or keep them hidden and unknown.”

Well, I guess it helps to know what you're getting into before you watch a movie. I expected this movie to be bizarre, but I didn't expect it to open with two naked hippies getting viciously attacked by a unicorn with South Park-levels of gore. It's a wild movie! Free on Hulu.

From the hippies, we go to our main protagonist Lauren, a cryptid hunter. It's the 1960s, and she's globe-hopping to save mystical creatures. They save Russian storm birds, a satyr, a medusa, and a guy with a face in his chest (voiced by Michael Cera.), to build a zoo for cryptids...Cryptozoo!

One day, she discovers that the Baku (dream-eater) who helped her with nightmares as a kid, and inspired her quest to become a crypto-zoologist, is being held by the US military. So, she gathers her cryptid friends and quests to save her from them. Thus, the movie turns into a sort of mystical spy epic, with tons of gore as the animals and soldiers are both killed/or captured.

I'm not necessarily against violence in movies, I just think I wasn't prepared to watch an officer get eaten by a South American megaworm. Or goblins get shot, or a hippie to be impaled by a unicorn. The general message seems to be that nature wants animals to be free, not used as weapons or entertainment. The animation is psychedelic and 1960s-inspired, so at least it's never boring. Watch it with some snacks, and you'll have fun.

Princess Mononoke (1997):

Princess Mononoke (1997):

“On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.”

Prince Ashitaka has to stop an evil demon plague from taking over the forest, and his arm. Meanwhile, there's a war brewing between animals and humans. Some people want to destroy the forest spirit. (Mononoke means “forest spirit”) Some want to destroy the humans, and some want to destroy the animals, and let technology grow unrestrained.

Ashitaka wants to bring balance between nature and humans. But, he's got all these obstacles in his way. Luckily, he gains an unlikely ally in San, the human princess raised by the Wolf Queen. He has to unite the animals and convince them to make peace, if it's even possible. Also, Lady Iboshi and her gun-wielding ladies of Iron City (Tatara) have hired a mercenary monk and others to kill the forest spirit.

Of all Hayao Miyazaki's films, this is definitely the most violent. There's tons of action, blood, and war. But, I feel it's all balanced out by the beauty of the Ghibli art style, and the ecological message. This is the anime I usually recommend to friends who are just getting into Miyazaki, since it's more like traditional anime, with the over-the-top level of action.

Of course, the real hero here is the art. It's all hand-drawn, the movements are all slow and human (As opposed to fast and exaggerated, as in other anime.) ,and it really lets you take in the awe of the forest, animals, and nature. As well as showing the horror of war, and the destruction technology can cause when unrestrained. The more the forest is off-balance, the more the evil plague grows. If you have time, it's a fantastic film. Definitely worth a watch. Check it out!

Eden of The East (2009):

Eden of The East (2009):

"A compilation of the TV series, Eden of The East."

In this short, 11-episode anime, Akida Takizawa (If that’s his name.) awakes from a daze on the White House lawn naked and holding a gun. What would you do? If you said, “Uncover a plot by a billionaire to rule Japan while going on a semi-romantic adventure with a girl.” you’d be right! Also, if you said that, you probably watch too much anime. (Good job!) This one was oddly fascinating due to the terrorist angle.

You see, in this universe, Japan was the victim of a terrorist attack called “Careless Monday” when 10 missiles were accidentally fired on Japanese soil, and 20,000 people showed up missing. That’s the interesting part to me. Evidence points to him as the terrorist. But, this girl Saki keeps showing this naïve interest in him, that ultimately changes the tone to more mushy romantic comedy.

More to the point, after uncovering this plot to fire the missiles, (Again!) Akida again frames himself and gives himself a new identity rather than arrest the group behind it. Each player in this political game has a cell phone equipped with a 10 billion yen account. Akida discovers he’s one of the players in a game orchestrated by a billionaire to see how individuals, if given power, would save or change the country.

One of the contestants, in fact, is a prostitute who cuts off male members if they displease her. It’s a little unsettling…and it’s all there to make some point about love that’s developing between him and Saki. I have no idea what “cutting off Johnnies” would do to improve the country, but sometimes anime is wacky. Also, love or something.

Anyway, I was more interested in the political plot. The team that keeps track of Akida’s political funds is called “Eden of The East”. His computerized cell phone accountant Juiz will do anything he asks with the 10 billion yen. I just don’t get why he blows it by framing himself again, and evacuating 20,000 people! Again! It’s like he’ll have to do it all over again, including meeting Saki!

Yes, I know how it ends. I’m not gonna get into that. I just think repeating the same thing you did to get framed as a terrorist has to be one of the most baffling decisions ever. But, it’s oddly fascinating because at it’s heart you have an anime that wants to be romantic. So, it’s just this guy who just wants to live life, and full in love, and avoid responsibility. Also, just as a whimsical joke…he commits a terrorist act against Tokyo.

He’d probably be in jail, and lose his girlfriend. But, dang if he didn’t have 10 billion yen and a magic robot in a cell phone! Look, I know it’s fantasy, and love, and he can clear his name with a phone call. But, am I supposed to believe accepting responsibility means framing yourself as an international criminal? All I’m saying is, the minute I saw Akida had machine guns in his closet, and planned to commit terrorist acts because he can’t bring down his psychopathic buddies… if I were Saki, I’d leave. I would fear for my life.

I know it’s technically like a romantic comedy/political satire, but it had real potential up to the point where he takes responsibility rather than arrest the contestants. Is the rest of Japan still getting played like a game show? What happened to the other contestants? It could’ve been a really interesting espionage thriller, but went the romantic comedy route. By the way, none of this explains why he was naked at the White House.

But, the odd mixture of romantic comedy/espionage thriller works, because the suspense lasts about right up until the second-to-last episode. Then, it’s purely and unabashedly mushy. I’d give this series a firm “skip it”. I liked the concepts, and certain parts! But, it just seems like a lot of wasted ideas. And I just don’t think terrorism is a joke. It could’ve been so much more than what it aims for, but the message seems to be take the 10 billion yen and don’t ask questions. The terrorism angle drew me in, but it deals with it far too whimsically!

Superman: Doomsday (2007):

Superman: Doomsday (2007):

If you’re expecting Cyborg Superman to show up, or a retelling of “The Death of Superman” comic book storyline, you’ll be disappointed. I was. This version of the story has Superman returning as an “evil clone” created by Luthor. There’s no Steel (Metal Superman!) even! So, basically, if you watched this film, it’s to watch Superman fight Doomsday. That’s it. Once the mystery of the clone is solved, there’s no more dramatic tension left.

Of course, the fight with Doomsday is fantastic. But, that lasts like 5 minutes. Including Doomsday’s arrival. You can tell the fight is intense just by the sounds of each hit. A real super slobber-knocker! Superman is still a man though, and still gets tired. After being dragged through a power station, hit by a subway, and thrown around with a few earth-quaking impacts, Superman starts to tire and stagger, while Doomsday does not. It really is like watching the ultimate boxing match. In the end, Metropolis is basically a crater.

Well, that was fun. But, what happens next? Well, not much. After the funeral, Toyman terrorizes the city (Voiced by John Dimaggio! Really, kudos to the voice casting in this movie! Everyone is spot on!) and it looks like Superman has come back, but after it’s revealed only minutes later that this is a clone under Luthor’s control which he gleefully wails on with Kryptonite knuckles, all the excitement goes away. In the original comic, there was more exploration of what people did to carry on his legacy. This is just a dumb clone plot…I honestly preferred the Evil Superman in Superman 3. At least he was the result of a split personality.

Here, when Evil Superman starts threatening old grannies and kills Toyman, it’s just awkward. I will say they did a good job explaining away early 90s Superman’s awful mullet haircut. His robot dug up his unconscious body, so presumably he didn’t have time to cut his hair. The robot is voiced by Tom Kenny! Anyway, to even the odds against his evil clone, Tom Kennybot gives him a Kryptonite gun, and a black solar suit, making him look weirdly gothic. Real Superman wins, of course. With the help of Lois Lane.

Honestly, I’m not sure how I feel about this movie. It doesn’t really teach anything, and doesn’t really capture Superman’s legacy. The original comic storyline showed many different sides of Superman, some of which were evil, and some of which were good. It just seems to me that lumping all that into “Evil clone with Luthor’s personality.” is a huge waste. Luthor even ends up in the hospital once the clone becomes paranoid. So, he’s more evil than Luthor. It should’ve at least included Superboy, the good side of Luthor’s clone.

Now, a couple things this film's got right in the end, are the music and the voice acting. The Superman theme here begins from space in the intro, as it usually should. But, does that triumphant music really fit the death of Superman? I know, it’s a Superman movie…but with a title like Doomsday…you know what you’re really getting is that last, or should I say first, fight! Secondly, the voice-acting is stupendous, as I said before. And it does deliver on that Doomsday battle!

Seeing one of the most iconic Superman comic book stories reduced to a one-note doppelganger plot is hugely disappointing. But, it does have redeeming qualities, most of which I’ve listed above. (Voice-acting and music, Doomsday, etc.) It succeeds in a strong presentation of weak ideas. Really, it’s all about that Doomsday battle. Oh, and explaining away that mullet! 2/5 stars. Not very super, but makes you expect it will be. And that’s worse! I mean, you might like it, but like Superman, the film nearly dies after Doomsday.

Injustice (2021):

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“On an alternate Earth, the Joker tricks Superman into killing Lois Lane, which causes a rampage in the hero. Superman decides to take control of Earth, Batman and his allies will have to attempt to stop him.”

Superman is tricked into killing a pregnant Lois, Metropolis blows up, and Superman loses his grip on humanity. Which is fine, when it exists to make Superman the bad guy in a fighting game. But here, it just makes him look really insecure. I suppose it's to show that he's slowly losing his innocence. First, he forces world leaders to sign treaties. Then, illegally imprisons protesting superheroes.

Like all narratives where Superman loses control, he eventually allies with villains; this time it's Ra's Al Ghul. Soon, he's eye-lasering children who are in harm's way to protest his rule. Some heroes die, and some villians too. But, it hardly reminds me of it's comic book/videogame counterpart. Batman hacks Cyborg. Nightwing is in there.

At first, it's cool when Superman goes crazy and shows his true powers. But after that, it's just him slowly becoming evil and killing/imprisoning heroes like a paranoid jerk. Harley Quinn goes good though, so that's kinda like the comics; pretty cool. And she knocks out Green Arrow. Mr. Terrific is pretty good in it, and I don't even remember him in the game.

Overall, it's pretty good, for what it lacks in plot. Where it tries to be high-minded, and address issues like freedom vs. security, I think it falls a little flat because...well, it's an action animation based on a fighting game comic book. (Red Son at least had alternate historical context to explore ideas.) They need to fight scenes, so it all just boils down to a fight. Enjoy it with snacks, maybe. But, once was enough for me.

Lily C.A.T. (1987):

Lily C.A.T. (1987):

“The expendable crew of a corporate space vessel must stop a murderous shape-shifting alien organism that somehow got on board.”

“The corpses have disappeared, leaving everything - even their underwear – behind!” Dular says, after his crew members have been eaten by an alien virus. I mean, it is a good mystery, but probably ruined by early anime dubbing. All the dialogue sounds so choppy and fast as they struggle to sync their lip movements. Other than that, it's pretty much John Carpenter's The Thing mixed with the futuristic setting of Ridley Scott's Alien.

See, there's a cat brought on board by Nancy. Quickly, everyone around the cat dies, and there are reports of an alien virus getting through the air ducts. What's discovered later is that the virus was carried by the cat because humans are “expendable”. So, the Syncam Corporation (who owns the ship.) is probably just evil. Why else kill an experienced crew with a Computerized Animal-shaped Technological robot? (Cat, get it?)

Anyway, you should probably skip this one. But, but I did find it enjoyable in terms of action. The mystery is given away in the title. The choppy English dubbing is way too distracting, and the plot doesn't actually make much sense, other than they're trying to mix Alien and The Thing. Just enjoy the crew getting picked apart by the alien/C.A.T.

The 1980s were an ambitious time for Japanese anime, especially as it expanded overseas and took on American influences. It is at least enjoyable if you turn your brain off, and accept it as a relic of its own time. There are interesting ideas sci-fi discussed such as cryogenics, relativity, and how the crew only ages 1 year every 20 Earth years. But, these details never pan out to anything, and only a few members survive as it rushes to horrific ending.

DEATHSTROKE: KNIGHTS AND DRAGONS: THE MOVIE (2020)

DEATHSTROKE: KNIGHTS AND DRAGONS (2020):

“Assassin Slade Wilson leads two lives: a relentless killer known as Deathstroke and a family man. Can he atone for the sins of the past-or will his family pay the ultimate price?”

This one is a doozy! It's an adult animation (read: cussing, partial nudity, and violence.) featuring Deathstroke from DC comics. The story is about him trying to protect his family from learning that he's a super-powered assassin. But, that goes out the window when he's attacked at home by the HIVE, a mercenary group.

They steal his kid, Joseph, and re-name him Jericho, subjecting him to the same military experiments as Deathstroke. It's said that while Deathstroke is a handgun, so to speak, Joseph is a nuclear weapon. He has psychic abilities on top of his fathers superpowers and healing factor. The HIVE plans to use him to plot terrorist attacks, and control world leaders.

Meanwhile, Deathstroke uncovers that the HIVE leader is someone from his past. Joseph even sides with them for a while, before uncovering his abuse. A motif that's repeated via a bedtime story is that Deathstroke sees himself as a knight, protecting his family against dragons. In the end, Joseph believes he's still the knight, and fights beside his father against, among others, Lady Shiva.

It's pretty good for an adult animation in 2020. I'm not spoiling too much if I say I'm dissatisfied with how they defeat Lady Shiva. Overall, they cram a lot into 89 minutes, but it's a good and bloody story. It's an origin story, a betrayal, and a future story all at once. Give it a watch if you don't mind the violence!

SUPERMAN: RED SON (2020):

SUPERMAN: RED SON (2020):

“What if baby Kal-El's rocket landed, not in Kansas, but in the Soviet Union? That is the premise of this Elseworld's tale from DC Comics.”

There's a lot going on here. This is an alternate world based on the 2003 comic by Mark Millar where Superman was raised in the USSR. He kills Stalin after he finds out about the gulags. He beats back capitalist Bizzaro created by the US with Lex Luthor. He defeats the Green Lanterns as they are recruited in the Cold War, and single-handedly wins the Korean War for the Communists.

So, in this world, Kal-El is still the same person. He still cares about helping people, only he believes the Soviet system is the way to do so. Even with his vast power, and big heart, he finds that he can't control people the way he'd like to in the name of equality. He fights Batman over this. In this version, Batman survives the gulag.

To add to the list of heroes making a cameo, he courts Wonder Woman on a diplomacy mission. Eventually, she withdraws when she finds out that with the help of Brainiac, he's been turning people into robots to make them more agreeable. Superman discovers that the villain soon can't be trusted. This leads to a showdown between Brainiac and US President Lex Luthor.

All-in-all, this is a fantastic showcase for a DC what-if scenario. The comic is a bit more detailed, but I highly recommend this one for a watch, however you can. It really shows the ability of comics and animation to transport us to other worlds. Plus, I like Jason Isaac's faux Russian accent. In Soviet Russia, Superman cartoon watches you!



READ MY SUPERMAN:RED SON COMIC REVIEW HERE: https://bit.ly/2XmZ4xg

WORDS BUBBLE UP LIKE SODA POP (2020):

WORDS BUBBLE UP LIKE SODA POP (2020):

"A meeting and romance starts between two people with communication issues - a boy who wears headphones and uses haiku poems, and a shy girl who wears a mask and only does online videos."

This movie is about Cherry, a haiku poet with social anxiety, and his social influencer love interest Smile. Smile has buck teeth (“yamazakura”) and is shy. Cherry is a good poet, but is shy because of his voice. He prefers to write. They're brought together by an old man, who wants to hear a long lost record one last time.

Overall, it's just a cute romance anime about teens with bright animation. The word cute (kawaii) is thrown around a lot. It's pretty good for a Netflix anime, if you want something light-hearted. They overcome their challenges to help an old friend. There's only one part I didn't like, but I won't nitpick. It's on Netflix, if you have time.

Fist of the North Star (1986):

Fist of the North Star (1986):

"A practitioner of the deadly martial art "Hokuto Shinken" allies with two children and an expert in "Nanto Suicho-Ken" to fight against the rivals who kidnapped his lover and threaten the prosperity of mankind."

Popular, but strange! In a nuclear wasteland, you have Kenshiro, who can make people's heads explode by punching them. You have his brother, who can cut through people with his fingers and stole Ken's girlfriend. Then, there's King Rao, who's raising an army across the wasteland to stop some kids from planting seeds. On top of all this bonkers fighting, there's some classic memes here too. Watch it if you can.